Soviet epic compositions of the 1930s and 1940s, the so-called noviny ("new songs"), have often been the subject of folkloristic controversy. This study tells the story of the rise and fall of the noviny in all its cultural richness and pathos, an instructive tale of the interaction of aesthetics and ideology.
Soviet epic compositions of the 1930s and 1940s, the so-called noviny ("new songs"), have often been the subject of folkloristic controversy. This study tells the story of the rise and fall of the noviny in all its cultural richness and pathos, an instructive tale of the interaction of aesthetics and ideology.
Margaret Ziolkowski is professor of Russian at Miami University (Ohio). She has worked on topics in Russian literature ranging from the medieval to the contemporary.
Inhaltsangabe
Preface Chapter 1: Tampering with the Folkloric Evidence: Famous and Infamous European Precedents Chapter 2: Oral Composition: Early Russian Observations and Assumptions Chapter 3: Engaging with the Folk in Pre-Revolutionary Russia Chapter 4: The Making of the Noviny Chapter 5: The Poetics and Politics of the Noviny Chapter 6: Devaluing the Noviny Chapter 7: Late and Post-Soviet Folkloristic Assessment of the Noviny Conclusion Selected Bibliography About the Author
Preface Chapter 1: Tampering with the Folkloric Evidence: Famous and Infamous European Precedents Chapter 2: Oral Composition: Early Russian Observations and Assumptions Chapter 3: Engaging with the Folk in Pre-Revolutionary Russia Chapter 4: The Making of the Noviny Chapter 5: The Poetics and Politics of the Noviny Chapter 6: Devaluing the Noviny Chapter 7: Late and Post-Soviet Folkloristic Assessment of the Noviny Conclusion Selected Bibliography About the Author
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