Spaces for Feeling explores how English and Scottish people experienced sociabilities and socialities from 1650 to 1850, and investigates their operation through emotional practices and particular spaces. It highlights the forms, practices, and memberships of these spaces for feeling and charts the shifting conceptualisations of emotions that underpinned them. From clubs and societies to families and households, essays examine how emotional practices could sustain and create particular associations and social communities. Case studies analyse a series of contemporary sources to produce a…mehr
Spaces for Feeling explores how English and Scottish people experienced sociabilities and socialities from 1650 to 1850, and investigates their operation through emotional practices and particular spaces. It highlights the forms, practices, and memberships of these spaces for feeling and charts the shifting conceptualisations of emotions that underpinned them. From clubs and societies to families and households, essays examine how emotional practices could sustain and create particular associations and social communities. Case studies analyse a series of contemporary sources to produce a dynamic new vision of how communities were shaped and cohered through social practices of feeling.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Susan Broomhall is Winthrop Professor of Early Modern History at The University of Western Australia and a Chief Investigator in the Australian Research Council Centre of Excellence for the History of Emotions, 1100-1800. Her previous publications include (with David G. Barrie) Police Courts in Nineteenth-Century Scotland, 2 vols (Ashgate, 2014), and, as editor, Emotions in the Household, 1200-1900 (2007).
Inhaltsangabe
List of Figures Notes on Contributors Introduction: Spaces for Feeling: Sociabilities in Britain, 1650-1850, Susan Broomhall 1. 'At my mother's house': Community and Household Spaces in Early Eighteenth-Century Scottish Infanticide Narratives, Joanne McEwan 2. The Mysteries of Popery Unveiled: Affective Language in John Coustos's and Anthony Gavín's Accounts of the Inquisition, Giovanni Tarantino 3. Renovating Affections: Reconstructing the Atholl Family in the Mid-Eighteenth Century, Susan Broomhall 4. Bringing Order to the Passions: Eliza Haywood's Fiction, 1719 and 1748, Aleksondra Hultquist 5. Marginal Households and their Emotions: The 'Kept Mistress' in Enlightenment Edinburgh, Katie Barclay 6. 'Strolling Roxanas': Sexual Transgression and Social Satire in the Eighteenth Century, Katrina O'Loughlin 7. Weeping in Space: Tears, Feelings, and Enthusiasm in Eighteenth-Century Britain, Thomas Dixon 8 Hazlitt on Gesture and Hybrid Emotions: Individuality and Community in the Maidstone Self-Portrait and 'Fonthill Abbey', Richard Read 9. Faces that Speak: A Little Emotion Machine in the Novels of Jane Austen Stephanie Trigg 10. Feeling in the Wynds: Media Representation of Affective Practices in Urban Scotland in the First Half of the Nineteenth Century, Susan Broomhall Select Bibliography Index
List of Figures Notes on Contributors Introduction: Spaces for Feeling: Sociabilities in Britain, 1650-1850, Susan Broomhall 1. 'At my mother's house': Community and Household Spaces in Early Eighteenth-Century Scottish Infanticide Narratives, Joanne McEwan 2. The Mysteries of Popery Unveiled: Affective Language in John Coustos's and Anthony Gavín's Accounts of the Inquisition, Giovanni Tarantino 3. Renovating Affections: Reconstructing the Atholl Family in the Mid-Eighteenth Century, Susan Broomhall 4. Bringing Order to the Passions: Eliza Haywood's Fiction, 1719 and 1748, Aleksondra Hultquist 5. Marginal Households and their Emotions: The 'Kept Mistress' in Enlightenment Edinburgh, Katie Barclay 6. 'Strolling Roxanas': Sexual Transgression and Social Satire in the Eighteenth Century, Katrina O'Loughlin 7. Weeping in Space: Tears, Feelings, and Enthusiasm in Eighteenth-Century Britain, Thomas Dixon 8 Hazlitt on Gesture and Hybrid Emotions: Individuality and Community in the Maidstone Self-Portrait and 'Fonthill Abbey', Richard Read 9. Faces that Speak: A Little Emotion Machine in the Novels of Jane Austen Stephanie Trigg 10. Feeling in the Wynds: Media Representation of Affective Practices in Urban Scotland in the First Half of the Nineteenth Century, Susan Broomhall Select Bibliography Index
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