This book offers a new lens through which to examine Spain's cinema production following the decades of isolation imposed by the Franco regime. The films analysed span a period of 35 years that have been crucial in the development of Spain, Spanish democracy and Spanish cinema. Directors covered include those who spanned the fall of Franco - Bunuel, Saura and Erice, through to Medem, Almodovar, Amenabar, and Woody Allen.
This book offers a new lens through which to examine Spain's cinema production following the decades of isolation imposed by the Franco regime. The films analysed span a period of 35 years that have been crucial in the development of Spain, Spanish democracy and Spanish cinema. Directors covered include those who spanned the fall of Franco - Bunuel, Saura and Erice, through to Medem, Almodovar, Amenabar, and Woody Allen.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Maria M. Delgado is Professor of Theatre and Screen Arts at Queen Mary, University of London Robin Fiddian is Professor of Spanish, Fellow of Wadham College, University of Oxford
Inhaltsangabe
List of illustrations Notes on contributors Acknowledgements Introduction - Maria M. Delgado 1. El espíritu de la colmena/ The Spirit of the Beehive (Víctor Erice, 1973): To Kill a Mocking Bird as neglected inter-text - Robin Fiddian 2. Cet obscur objet du désir/That Obscure Object of Desire (Luis Buñuel, 1977): Buñuel's technique - Mark Millington 3. Ocaña. Retrat intermittent/Ocaña. An Intermittent Portrait (Ventura Pons, 1977): The Mediterranean movida and the passing away of Francoist Barcelona - Alberto Mira 4. El dorado (Carlos Saura, 1987): The keys to El Dorado - Agustín Sánchez Vidal 5. El sol del membrillo/The Quince Tree Sun (Víctor Erice, 1992): Moving pictures - painting, drawing and filmmaking - María José Martínez Jurico and Stephen G.H. Roberts 6. Vacas/Cows (Julio Medem, 1992): From Goya's dining room via Apocalypse Now - Jo Evans 7. Tesis/Thesis (Alejandro Amenábar, 1996): Delights and follies in filmic discourse - María Donapetry 8. Un instante en la vida ajena/An Instant of Distant Life (José Luis López- Linares, 2003): Domesticating the documentary archive - Kathleen M. Vernon 9. Ninette (José Luis Garci, 2005): Paris revisited - Sue Harris 10. El laberinto del fauno/Pan's Labyrinth (Guillermo del Toro, 2006): Spanish horror - Paul Julian Smith 11. La noche de los girasoles/The Night of the Sunflowers (Jorge Sánchez-Cabezudo, 2006): Palimpsests of genre, palimpsests of violence - Tom Whittaker 12. En la ciudad de Sylvia/In the City of Sylvia (José Luis Guerín, 2007) and the durée of a derive - Rob Stone 13. Vicky Cristina Barcelona (Woody Allen, 2008): Penélope Cruz and Javier Bardem acting strangely - Chris Perriam 14. La mujer sin cabeza/The Headless Woman (Lucrecia Martel, 2008): Silence, historical memory and metaphor - Maria M. Delgado 15. Los abrazos rotos/ Broken Embraces (Pedro Almodóvar, 2009): Talking cures - Marvin D'Lugo 16. V.O.S. (Cesc Gay, 2009): From Shakespearean comedy to national identity - Celestino Deleyto 17. Y también la lluvia/Even the Rain (Icíar Bollaín, 2010): Social realism, transnationalism and (neo)colonialism - Duncan Wheeler Index
List of illustrations Notes on contributors Acknowledgements Introduction - Maria M. Delgado 1. El espíritu de la colmena/ The Spirit of the Beehive (Víctor Erice, 1973): To Kill a Mocking Bird as neglected inter-text - Robin Fiddian 2. Cet obscur objet du désir/That Obscure Object of Desire (Luis Buñuel, 1977): Buñuel's technique - Mark Millington 3. Ocaña. Retrat intermittent/Ocaña. An Intermittent Portrait (Ventura Pons, 1977): The Mediterranean movida and the passing away of Francoist Barcelona - Alberto Mira 4. El dorado (Carlos Saura, 1987): The keys to El Dorado - Agustín Sánchez Vidal 5. El sol del membrillo/The Quince Tree Sun (Víctor Erice, 1992): Moving pictures - painting, drawing and filmmaking - María José Martínez Jurico and Stephen G.H. Roberts 6. Vacas/Cows (Julio Medem, 1992): From Goya's dining room via Apocalypse Now - Jo Evans 7. Tesis/Thesis (Alejandro Amenábar, 1996): Delights and follies in filmic discourse - María Donapetry 8. Un instante en la vida ajena/An Instant of Distant Life (José Luis López- Linares, 2003): Domesticating the documentary archive - Kathleen M. Vernon 9. Ninette (José Luis Garci, 2005): Paris revisited - Sue Harris 10. El laberinto del fauno/Pan's Labyrinth (Guillermo del Toro, 2006): Spanish horror - Paul Julian Smith 11. La noche de los girasoles/The Night of the Sunflowers (Jorge Sánchez-Cabezudo, 2006): Palimpsests of genre, palimpsests of violence - Tom Whittaker 12. En la ciudad de Sylvia/In the City of Sylvia (José Luis Guerín, 2007) and the durée of a derive - Rob Stone 13. Vicky Cristina Barcelona (Woody Allen, 2008): Penélope Cruz and Javier Bardem acting strangely - Chris Perriam 14. La mujer sin cabeza/The Headless Woman (Lucrecia Martel, 2008): Silence, historical memory and metaphor - Maria M. Delgado 15. Los abrazos rotos/ Broken Embraces (Pedro Almodóvar, 2009): Talking cures - Marvin D'Lugo 16. V.O.S. (Cesc Gay, 2009): From Shakespearean comedy to national identity - Celestino Deleyto 17. Y también la lluvia/Even the Rain (Icíar Bollaín, 2010): Social realism, transnationalism and (neo)colonialism - Duncan Wheeler Index
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