Spanish Popular Cinema is the first European language work to focus exclusively on this neglected aspect of Spain's film history. Moving from the 1930s to the present, the contributors to this book provide a diverse collection of essays that reassess some of the forgotten and critically overlooked works of Spanish popular cinema.
Spanish Popular Cinema is the first European language work to focus exclusively on this neglected aspect of Spain's film history. Moving from the 1930s to the present, the contributors to this book provide a diverse collection of essays that reassess some of the forgotten and critically overlooked works of Spanish popular cinema.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Antonio Lázaro Reboll is Lecturer in Spanish at the University of Kent. Andrew Willis is Senior Lecturer in Media and Performance at the University of Salford
Inhaltsangabe
1. Introduction: Film studies, Spanish cinema and questions of the popular Antonio Lázaro Reboll and Andrew Willis 2. Dressing as foreigners: Historical and musical dramas of the early Franco period Federico Bonaddio 3. From rags to riches: The ideology of stardom in folkloric musical comedy films of the late 1930s and 1940s Eva Woods 4. Spectacular metaphors: The rhetoric of historical representation in Cifesa epics Alberto Mira 5. Re framing the past: Representations of the Spanish Civil War in Spanish popular cinema David Archibald 6. 'Palaces of seeds': From an experience of local cinemas in post war Madrid to a suggested approach to film audiences Esther Gómez Sierra 7. Populism, the national popular and the politics of Luis García Berlanga Steven Marsh 8. Marisol: The Spanish Cinderella Peter Evans 9. Screening 'Chicho': The horror ventures of Narciso Ibáñez Serrador Antonio Lázaro Reboll 10. Re appraising Antonio Mercero: Film authorship and intuición popular Philip Mitchell 11. Rated 'S': Softcore pornography and the Spanish transition to democracy, 1977 1982 Daniel Kowalsky 12. Alejandro Amenábar's 'Abre los Ojos'/'Open Your Eyes' (1997) Chris Perriam 13. 'Solas' and the unbearable condition of loneliness in the late 1990s Candyce Leonard 14. From the margins to the mainstream: Trends in recent Spanish horror cinema Andrew Willis
1. Introduction: Film studies, Spanish cinema and questions of the popular Antonio Lázaro Reboll and Andrew Willis 2. Dressing as foreigners: Historical and musical dramas of the early Franco period Federico Bonaddio 3. From rags to riches: The ideology of stardom in folkloric musical comedy films of the late 1930s and 1940s Eva Woods 4. Spectacular metaphors: The rhetoric of historical representation in Cifesa epics Alberto Mira 5. Re framing the past: Representations of the Spanish Civil War in Spanish popular cinema David Archibald 6. 'Palaces of seeds': From an experience of local cinemas in post war Madrid to a suggested approach to film audiences Esther Gómez Sierra 7. Populism, the national popular and the politics of Luis García Berlanga Steven Marsh 8. Marisol: The Spanish Cinderella Peter Evans 9. Screening 'Chicho': The horror ventures of Narciso Ibáñez Serrador Antonio Lázaro Reboll 10. Re appraising Antonio Mercero: Film authorship and intuición popular Philip Mitchell 11. Rated 'S': Softcore pornography and the Spanish transition to democracy, 1977 1982 Daniel Kowalsky 12. Alejandro Amenábar's 'Abre los Ojos'/'Open Your Eyes' (1997) Chris Perriam 13. 'Solas' and the unbearable condition of loneliness in the late 1990s Candyce Leonard 14. From the margins to the mainstream: Trends in recent Spanish horror cinema Andrew Willis
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