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This collection of essays offers a series of reflections on the specific literary and cultural forms that can be seen as the product of modernity's spatial transformations, which have taken on new urgency in today's world of ever increasing mobility and global networks. The book offers a broad perspective on the narrative and poetic dimensions of the modern discourses and imaginaries that have shaped our current geographical sensibilities. In the early twenty-first century, we are still grappling with the spatial effects of 'early' and 'high' modern developments, and the contemporary crises revolving around political boundaries and geopolitical orders in many parts of the world have intensified spatial anxieties. They call for a sustained analysis of individual perceptions, cultural constructions and political implications of spatial processes, movements and relations.
The contributors of this book focus both on the spatial orders of modernity and on the various dynamic processes that have shaped our engagement with modern space. They creatively engage in a dialogue between literature, cinema, art history, geography, architecture, cultural semiotics and political science, and they transform twentieth- and twenty-first-century theory and philosophy to examine the textual forms of different spatial modernities. The chapters do not only engage with the cartographies, crossings and displacements represented within different texts and media, but are also attentive to the ways in which the latter produce space and perform mobility. Tracing an arc from Thomas More's Utopia to the digital spatiality of contemporary autobiographical film, they treat texts as active cultural forces that crystallize, reinforce, interrogate or complicate the spatial imaginaries of modernity through their own narrative and poetic form.
The contributors of this book focus both on the spatial orders of modernity and on the various dynamic processes that have shaped our engagement with modern space. They creatively engage in a dialogue between literature, cinema, art history, geography, architecture, cultural semiotics and political science, and they transform twentieth- and twenty-first-century theory and philosophy to examine the textual forms of different spatial modernities. The chapters do not only engage with the cartographies, crossings and displacements represented within different texts and media, but are also attentive to the ways in which the latter produce space and perform mobility. Tracing an arc from Thomas More's Utopia to the digital spatiality of contemporary autobiographical film, they treat texts as active cultural forces that crystallize, reinforce, interrogate or complicate the spatial imaginaries of modernity through their own narrative and poetic form.