Speaking in Tongues and Dancing Diaspora theorizes the preeminence of voice and narration (and the consequences of their absence) in the literary and cultural performances of black women.
Speaking in Tongues and Dancing Diaspora theorizes the preeminence of voice and narration (and the consequences of their absence) in the literary and cultural performances of black women.
Mae G. Henderson is Professor of English at the University of North Carolina at Chapel Hill. She is editor of Black Queer Studies: A Critical Anthology (2005), Borders, Boundaries and Frames (1995), and co-editor (with John Blassingame) of the five-volume Antislavery Newspapers and Periodicals: An Annotated Index of Letters, 1817-1871 (1980).
Inhaltsangabe
* CONTENTS * Introduction * 1. Alice Walker's The Color Purple: Revisions and Redefinitions * 2. (W)Riting The Work and Working the Rites * 3. Speaking in Tongues: Dialectics, Dialogics, and the Black Woman Writer's Literary Tradition * 4. Toni Morrison's Beloved: Re-Membering the Body as Historical Text * 5. The Stories of (O)Dessa: Stories of Complicity and Resistance * 6. "Seen But Not Heard": A Poetics of Afro-American Women's Writing * 7. Gayl Jones's White Rat: Speaking Silence/Silencing Speech * 8. State of the Art: Black Feminist Theory * 9. What It Means to Teach the Other When the Other Is the Self * 10. Authors and Authorities * 11. Nella Larsen's Passing: Passing, Performance, and (Post)modernism * 12. Josephine Baker and La Revue Nègre: From Ethnography to Performance * 13. Dancing Diaspora: Colonial, Postcolonial, and Diasporic Readings of Josephine Baker as Dancer and Performance Artist * 14. About Face, or, What Is This "Back" in B(l)ack Popular Culture?: From Venus Hottentot to Video Hottie * IN RETROSPECT * 15. Sherley Anne Williams: "Someone Sweet Angel Chile" * 16. Bebe Moore Campbell: "Literature as Equipment for Living" * Bibliography * Index
* CONTENTS * Introduction * 1. Alice Walker's The Color Purple: Revisions and Redefinitions * 2. (W)Riting The Work and Working the Rites * 3. Speaking in Tongues: Dialectics, Dialogics, and the Black Woman Writer's Literary Tradition * 4. Toni Morrison's Beloved: Re-Membering the Body as Historical Text * 5. The Stories of (O)Dessa: Stories of Complicity and Resistance * 6. "Seen But Not Heard": A Poetics of Afro-American Women's Writing * 7. Gayl Jones's White Rat: Speaking Silence/Silencing Speech * 8. State of the Art: Black Feminist Theory * 9. What It Means to Teach the Other When the Other Is the Self * 10. Authors and Authorities * 11. Nella Larsen's Passing: Passing, Performance, and (Post)modernism * 12. Josephine Baker and La Revue Nègre: From Ethnography to Performance * 13. Dancing Diaspora: Colonial, Postcolonial, and Diasporic Readings of Josephine Baker as Dancer and Performance Artist * 14. About Face, or, What Is This "Back" in B(l)ack Popular Culture?: From Venus Hottentot to Video Hottie * IN RETROSPECT * 15. Sherley Anne Williams: "Someone Sweet Angel Chile" * 16. Bebe Moore Campbell: "Literature as Equipment for Living" * Bibliography * Index
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