Anshu Malhotra is Associate Professor of History at the University of Delhi and the author of Gender, Caste, and Religious Identities: Restructuring Class in Colonial Punjab. Siobhan Lambert-Hurley is Reader in International History at the University of Sheffield and author of Muslim Women, Reform and Princely Patronage: Nawab Sultan Jahan Begam of Bhopal.¿ ¿
Anshu Malhotra is Associate Professor of History at the University of Delhi and the author of Gender, Caste, and Religious Identities: Restructuring Class in Colonial Punjab. Siobhan Lambert-Hurley is Reader in International History at the University of Sheffield and author of Muslim Women, Reform and Princely Patronage: Nawab Sultan Jahan Begam of Bhopal.¿ ¿Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Anshu Malhotra is Associate Professor of History at the University of Delhi and the author of Gender, Caste, and Religious Identities: Restructuring Class in Colonial Punjab. Siobhan Lambert-Hurley is Reader in International History at the University of Sheffield and author of Muslim Women, Reform and Princely Patronage: Nawab Sultan Jahan Begam of Bhopal.
Inhaltsangabe
Acknowledgments ix Introduction. Gender, Performance, and Autobiography in South Asia / Anshu Malhotra and Siobhan Lambert-Hurley 1 Part I. Negotiating Autobiography: Between Assertion and Subversion 1. A Passion for Reading: The Role of Early Twentieth-Century Urdu Novels in the Construction of an Individual Female Identity in 1930s Hyderabad / Sylvia Vatuk 33 2. Pentimento: The Self beneath the Surface / Ritu Menon 56 3. Interrupted Stories: The Self-Narratives of Nazr Sajjad Hyder / Asiya Alam 72 4. Kailashabashini Debi's Janaika Grihabadhur Diary: A Women "Constructing" Her "Self" in Nineteenth-Century Bengal? / Shudhra Ray 95 Part II. Forms and Modes of Self-Fashioning 5. Betrayal, Anger, and Loss: Women Write the Partition in Pakistan / Uma Chakravarti 121 6. Tawa'if as Poet and Patron: Rethinking Women's Self-Representation / Shweta Sachdeva Jha 141 7. Masculine Modes of Female Subjectivity: The Case of Jahanara Begam / Afshan Bokhari 165 Part III. Destabilizing the Normative: The Heterogeneous Self 8. Performing a Persona: Reading Piro's Kafis / Anshu Malhotra 205 9. The Heart of a Gopi: Raihana Tyabji's Bhakti Devotionalism as Self-Representation / Siobhan Lambert-Hurley 230 10. Performing Gender and Faith in Indian Theater Autobiographies / Kathryn Hansen 255 Select Bibliography 281 Contributors 301 Index 305
Acknowledgments ix Introduction. Gender, Performance, and Autobiography in South Asia / Anshu Malhotra and Siobhan Lambert-Hurley 1 Part I. Negotiating Autobiography: Between Assertion and Subversion 1. A Passion for Reading: The Role of Early Twentieth-Century Urdu Novels in the Construction of an Individual Female Identity in 1930s Hyderabad / Sylvia Vatuk 33 2. Pentimento: The Self beneath the Surface / Ritu Menon 56 3. Interrupted Stories: The Self-Narratives of Nazr Sajjad Hyder / Asiya Alam 72 4. Kailashabashini Debi's Janaika Grihabadhur Diary: A Women "Constructing" Her "Self" in Nineteenth-Century Bengal? / Shudhra Ray 95 Part II. Forms and Modes of Self-Fashioning 5. Betrayal, Anger, and Loss: Women Write the Partition in Pakistan / Uma Chakravarti 121 6. Tawa'if as Poet and Patron: Rethinking Women's Self-Representation / Shweta Sachdeva Jha 141 7. Masculine Modes of Female Subjectivity: The Case of Jahanara Begam / Afshan Bokhari 165 Part III. Destabilizing the Normative: The Heterogeneous Self 8. Performing a Persona: Reading Piro's Kafis / Anshu Malhotra 205 9. The Heart of a Gopi: Raihana Tyabji's Bhakti Devotionalism as Self-Representation / Siobhan Lambert-Hurley 230 10. Performing Gender and Faith in Indian Theater Autobiographies / Kathryn Hansen 255 Select Bibliography 281 Contributors 301 Index 305
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