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This collection of nineteen essays focuses on the ways in which, in England, France and Spain, the Renaissance made propagandistic, or aesthetic, use of the image in various spectacles. Under surface differences between genres, what emerges is a surprising similarity in tactics and response, which invites further questioning about image elaboration and its reception.

Produktbeschreibung
This collection of nineteen essays focuses on the ways in which, in England, France and Spain, the Renaissance made propagandistic, or aesthetic, use of the image in various spectacles. Under surface differences between genres, what emerges is a surprising similarity in tactics and response, which invites further questioning about image elaboration and its reception.
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Autorenporträt
André Lascombes, Doctorat d'État, is Professor (de 1e classe) at the University of Tours, France. Recent publications: "La fonction théâtrale des personnages du mal", in METh, (1992) and "Ce nom qui dit: fonctionnement théâtral du personnage allégorique", Le personnage allégorique (1989).