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An analysis of how a decade of military rule in Venezuela produced a dominant ideology of progress so meticulously crafted that to this day audacious Modernist art and architecture and dictatorship are conflated under the term ""modernity"".

Produktbeschreibung
An analysis of how a decade of military rule in Venezuela produced a dominant ideology of progress so meticulously crafted that to this day audacious Modernist art and architecture and dictatorship are conflated under the term ""modernity"".
Autorenporträt
Lisa Blackmore is a postdoctoral researcher at the University of Zurich and will join the school of philosophy and art history at the University of Essex as a lecturer in art history and interdisciplinary studies in 2017. She has taught at the University of Leeds, Universidad Simón Bolívar, and Universidad Central de Venezuela, and is coeditor of the forthcoming volume El Helicoide: From Futuristic Mall to Panoptic Prison.