Spectrality in Modernist Fiction argues that key modernist writers, chiefly Conrad, Forster, Butts, and Bowen, use spectral rhetoric to tackle problems of sex and sexuality, revolution, imperialism, capitalism, and desire all through complicated ethical engagements.
Spectrality in Modernist Fiction argues that key modernist writers, chiefly Conrad, Forster, Butts, and Bowen, use spectral rhetoric to tackle problems of sex and sexuality, revolution, imperialism, capitalism, and desire all through complicated ethical engagements.
Stephen Ross is Professor of English and Cultural, Social, and Political Thought at the University of Victoria. He has taught at the University of Victoria since 2001 and administered the graduate programmes in English and Cultural, Social, and Political Thought from time to time as well. He is past president of the Modernist Studies Association and most recently winner of a national award for Graduate Student Mentoring and Supervision.
Inhaltsangabe
1: Introduction 2: A Man Possessed: Conrad's Spectral Ethics 3: "What Love Looks Like in Public": Ghosts, Friends, and Justice in Forster 4: Wrestling with Ghosts: Butts, History, and Ethics 5: Elizabeth Bowen's "Uncertain Gothic" Works Cited
1: Introduction 2: A Man Possessed: Conrad's Spectral Ethics 3: "What Love Looks Like in Public": Ghosts, Friends, and Justice in Forster 4: Wrestling with Ghosts: Butts, History, and Ethics 5: Elizabeth Bowen's "Uncertain Gothic" Works Cited
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