Spectres of Antiquity is the first full-length study of the relationship between Greco-Roman culture and the eighteenth-century Gothic. In fascinating and compelling detail, James Uden's book rewrites the history of the Gothic genre, demonstrating that the genre was haunted by a deeper sense of history than has previously been assumed.
Spectres of Antiquity is the first full-length study of the relationship between Greco-Roman culture and the eighteenth-century Gothic. In fascinating and compelling detail, James Uden's book rewrites the history of the Gothic genre, demonstrating that the genre was haunted by a deeper sense of history than has previously been assumed.
James Uden is Associate Professor of Classical Studies at Boston University and the author of The Invisible Satirist: Juvenal and Second-Century Rome.
Inhaltsangabe
* Introduction * 1. Gothic and Classical in Eighteenth-Century Criticism: Ghosts, Knights, and the Sublime * 2. Horace Walpole, Gothic Classicism, and the Aesthetics of Collection * 3. Ann Radcliffe's Classical Remembrances * 4. Queer Urges and the Act of Translation: Matthew Lewis * 5. Classical Idols and the Early American Gothic: the Skepticism of Charles Brockden Brown * 6. Embodied Antiquity: Mary Shelley's Relationships with the Past * Afterword: Haunting or Reception?
* Introduction * 1. Gothic and Classical in Eighteenth-Century Criticism: Ghosts, Knights, and the Sublime * 2. Horace Walpole, Gothic Classicism, and the Aesthetics of Collection * 3. Ann Radcliffe's Classical Remembrances * 4. Queer Urges and the Act of Translation: Matthew Lewis * 5. Classical Idols and the Early American Gothic: the Skepticism of Charles Brockden Brown * 6. Embodied Antiquity: Mary Shelley's Relationships with the Past * Afterword: Haunting or Reception?
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