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The twenty-four essays in this collection represent the best contributions to the Sixth International Conference on the Fantastic in the Arts. All the essays are comparative or interdisciplinary in nature. Their foci range from the psychological aspects of art and literature, to the political implications of fiction and drama, the philosophic and linguistic dimensions of poetry, and the use of landscape in science fiction and fantasy illustration. The contributors also explore the connections between the fantastic and subjects such as religion, myth, the grotesque, the occult, Gothicism, feminism, and even perceptions of reality.…mehr

Produktbeschreibung
The twenty-four essays in this collection represent the best contributions to the Sixth International Conference on the Fantastic in the Arts. All the essays are comparative or interdisciplinary in nature. Their foci range from the psychological aspects of art and literature, to the political implications of fiction and drama, the philosophic and linguistic dimensions of poetry, and the use of landscape in science fiction and fantasy illustration. The contributors also explore the connections between the fantastic and subjects such as religion, myth, the grotesque, the occult, Gothicism, feminism, and even perceptions of reality.
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Autorenporträt
The author of "Picatrix" was likely a highly educated and intellectually versatile scholar, deeply rooted in the Arabic-speaking world of the 11th century. He was well-versed in a variety of disciplines, including astrology, alchemy, and philosophy, drawing on Greek, Persian, and Indian sources. As a participant in the Islamic Golden Age's rich scholarly tradition, he likely had access to extensive libraries and intellectual circles. His work suggests a blend of academic knowledge and practical application, indicating both theoretical understanding and hands-on experience in astrological and magical practices.