This collection brings together a series of creative responses to the recent speculative turn in Continental philosophy. The contributors include philosophers, art historians, architects and art practitioners. It takes a generous definition of art to include architecture, cinema, dance and new media.
This collection brings together a series of creative responses to the recent speculative turn in Continental philosophy. The contributors include philosophers, art historians, architects and art practitioners. It takes a generous definition of art to include architecture, cinema, dance and new media.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sjoerd van Tuinen is Assistant Professor in Philosophy at Erasmus University Rotterdam and Coordinator of the Centre for Art and Philosophy. He is editor of numerous books, including Deleuze and the Passions (Punctum Books, 2016), Deleuze and The Fold: A Critical Reader (Palgrave Macmillan, 2010), Deleuze Compendium (Boom, 2009) and De Nieuwe Franse Filosofie (Amsterdam: Boom, 2011). He is the author of Sloterdijk: Binnenstebuiten Denken (Klement, 2004).
Inhaltsangabe
Acknowledgements; Introduction Sjoerd van Tuinen; 1. Asynchronous Present Past. Against the Regime of (Aesthetical) Correlationism Armen Avanessian; 2. (Dis)enchanted Taiwanese Cinema Schizoanalytic Belief and the Actuality of Animism Erik Bordeleau; Art Historical Systems: 3. Attractors and Locked-In Art: Art History as a Complex System Francis Halsall; 4. Enduring Habits and Artwares Adi Efal; 5. Mood (Stimmung) / Blandness (Fadeur): On Temporality and Affectivity Vlad Ionescu; 6. The Plasticity of the Real: Speculative Architecture Elisabeth von Samsonow; 7. Expressive Things: Art Theories of Henri Focillon and Meyer Schapiro Reconsidered Kerstin Thomas; 8. Sympathy and Gothic ontology Lars Spuybroek; 9. Serpentine Life: The Nature of Movement in Gothic Mannerism and Baroque Sjoerd van Tuinen; 10. Space Always Comes After: It Is Good When It Comes After It Is Good Only When It Comes After Andrej Radman; 11. Speculation Critique Constructivism: Notions for Art History Kamini Vellodi; 12. The Potentiality of Art the Force of Images and Aesthetic Intensities Bertrand Prévost; Experiments: 13. Impossible! Bergson after Duchamp after Caillois Sarah Kolb; 14. Economies of the Wild: Speculations on Constant's New Babylon and Contemporary Capitalism Bram Ieven; 15. From Etienne Souriau's L'ombre de Dieu to Mats Ek's Shadow of Carmen Fleur Courtois-l'Heureux; Author's biographies.
Acknowledgements; Introduction Sjoerd van Tuinen; 1. Asynchronous Present Past. Against the Regime of (Aesthetical) Correlationism Armen Avanessian; 2. (Dis)enchanted Taiwanese Cinema Schizoanalytic Belief and the Actuality of Animism Erik Bordeleau; Art Historical Systems: 3. Attractors and Locked-In Art: Art History as a Complex System Francis Halsall; 4. Enduring Habits and Artwares Adi Efal; 5. Mood (Stimmung) / Blandness (Fadeur): On Temporality and Affectivity Vlad Ionescu; 6. The Plasticity of the Real: Speculative Architecture Elisabeth von Samsonow; 7. Expressive Things: Art Theories of Henri Focillon and Meyer Schapiro Reconsidered Kerstin Thomas; 8. Sympathy and Gothic ontology Lars Spuybroek; 9. Serpentine Life: The Nature of Movement in Gothic Mannerism and Baroque Sjoerd van Tuinen; 10. Space Always Comes After: It Is Good When It Comes After It Is Good Only When It Comes After Andrej Radman; 11. Speculation Critique Constructivism: Notions for Art History Kamini Vellodi; 12. The Potentiality of Art the Force of Images and Aesthetic Intensities Bertrand Prévost; Experiments: 13. Impossible! Bergson after Duchamp after Caillois Sarah Kolb; 14. Economies of the Wild: Speculations on Constant's New Babylon and Contemporary Capitalism Bram Ieven; 15. From Etienne Souriau's L'ombre de Dieu to Mats Ek's Shadow of Carmen Fleur Courtois-l'Heureux; Author's biographies.
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