Brian Willems draws on the science fiction of Cormac McCarthy, Paolo Bacigalupi, Neil Gaiman, China Mieville, Doris Lessing and Kim Stanley Robinson alongside speculative materialists including Graham Harman, Quentin Meillassoux and Jane Bennett, to try and imagine the end of anthropomorphism.
Brian Willems draws on the science fiction of Cormac McCarthy, Paolo Bacigalupi, Neil Gaiman, China Mieville, Doris Lessing and Kim Stanley Robinson alongside speculative materialists including Graham Harman, Quentin Meillassoux and Jane Bennett, to try and imagine the end of anthropomorphism.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Brian Willems is Assistant Professor of literature and film at the University of Split, Croatia. He is the author of Hopkins and Heidegger (Continuum, 2009), Facticity, Poverty and Clones: On Kazuo Ishiguro's Never Let Me Go (Atropos Press, 2010) and Shooting the Moon (Zero Books, 2015). He is co-editor of The First Ten Years of English Studies in Split (Split University, 2011).
Inhaltsangabe
Acknowledgements Introduction 1. The Zug Effect 2. Divine Paraphrase: Cormac McCarthy 3. Double-Vision: Neil Gaiman 4. Subtraction and Contradiction: China Miéville 5. Tension and Phase: Doris Lessing 6. Animal Death: Paolo Bacigalupi 7. Transcription: Kim Stanley Robinson Conclusion Bibliography Notes Index.