This book investigates speech, writing, and thought presentation in a corpus of 19th-century narrative fiction. Beatrix Busse develops a new corpus-stylistic approach for analyzing and automatically identifying historical strategies of discourse presentation. On the basis of the identification of these diachronic patterns and their positioning in cultural-historical context, Busse shows how discourse presentation furthers narrative progression and shapes readers' expectations.
This book investigates speech, writing, and thought presentation in a corpus of 19th-century narrative fiction. Beatrix Busse develops a new corpus-stylistic approach for analyzing and automatically identifying historical strategies of discourse presentation. On the basis of the identification of these diachronic patterns and their positioning in cultural-historical context, Busse shows how discourse presentation furthers narrative progression and shapes readers' expectations.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Beatrix Busse is Vice-Rector of Student Affairs and Teaching and Professor of English Linguistics at the University of Cologne (Germany). She is Reviews Editor for the International Journal of Corpus Linguistics and honorary research fellow at Glasgow University, and co-author or editor of multiple books including Patterns in Language and Linguistics: New Perspectives on a Ubiquitous Concept (2019), Rethinking Language, Text and Context (2018), Key Terms in Stylistics (2010), and Language and Style (2010). Her main research interests are corpus linguistics, stylistics, historical pragmatics, and language and urban space.
Inhaltsangabe
* List of Abbreviations * List of Tables and Figures * Acknowledgements * Chapter 1: Introduction * 1.1 This Study and Its Aims * 1.2 My Version of English Historical Linguistics * Chapter 2: The Discourse Presentation Model So Far * 2.1 Presentation of Voices: Leech and Short's (1981/2007) and Semino and Short's (2004) Models of Speech, Writing, and Thought Presentation * 2.2 The Notion of Faithfulness to an Anterior Discourse in Narrative Fiction * 2.3 "State-of-the-Art" Research on Speech, Writing, and Thought Presentation in 19th-Century English * 2.4 Additional Linguistic Frameworks and Models Necessary to the Analysis of Discourse Presentation in 19th-Century Narrative Fiction * 2.5 Wrap up and What is Next * Chapter 3: Methodology * 3.1 The Corpus and Its Scope * 3.2 The Annotation Scheme * 3.3 The Annotation Procedure * 3.4 Methodological Caveats * Chapter 4: Types, Distribution, and Lexico-Grammatical Realization of Discourse Presentation Categories and Their Functional Implications * 4.1 General Quantitative Observations * 4.2 The Different Categories of the Modes of Discourse Presentation: Quantification of Tags and Number of Words by Which These Are Represented * Chapter 5: Scales and Modes of Discourse Presentation and their Functions * 5.1 A Note on Subjectivity * 5.2 The Categories of Discourse Presentation * 5.3. Subcategories of Speech, Writing, and Thought Presentation * 5.4 Summary Discourse Presentation in 19th-Century Narrative Fiction - Further Reflections * Chapter 6: Towards Developing a Procedure for Automatically Identifying Speech, Writing, and Thought Presentation * 6.1 Preliminaries * 6.2 The Procedure * Chapter 7: Narrative Progression and Characterization: The Functional Interplay between Narration and Discourse Presentation * 7.1. Reporting Strategies of NRS, NRT, and NRW and Discourse Presentation * 7.2 Paralinguistic Narration * 7.3 Imagination and Observation: Thought Presentation and Visual Narration in19th-Century Narrative Fiction * Chapter 8: Conclusion * Endnotes * Bibliography * Index
* List of Abbreviations * List of Tables and Figures * Acknowledgements * Chapter 1: Introduction * 1.1 This Study and Its Aims * 1.2 My Version of English Historical Linguistics * Chapter 2: The Discourse Presentation Model So Far * 2.1 Presentation of Voices: Leech and Short's (1981/2007) and Semino and Short's (2004) Models of Speech, Writing, and Thought Presentation * 2.2 The Notion of Faithfulness to an Anterior Discourse in Narrative Fiction * 2.3 "State-of-the-Art" Research on Speech, Writing, and Thought Presentation in 19th-Century English * 2.4 Additional Linguistic Frameworks and Models Necessary to the Analysis of Discourse Presentation in 19th-Century Narrative Fiction * 2.5 Wrap up and What is Next * Chapter 3: Methodology * 3.1 The Corpus and Its Scope * 3.2 The Annotation Scheme * 3.3 The Annotation Procedure * 3.4 Methodological Caveats * Chapter 4: Types, Distribution, and Lexico-Grammatical Realization of Discourse Presentation Categories and Their Functional Implications * 4.1 General Quantitative Observations * 4.2 The Different Categories of the Modes of Discourse Presentation: Quantification of Tags and Number of Words by Which These Are Represented * Chapter 5: Scales and Modes of Discourse Presentation and their Functions * 5.1 A Note on Subjectivity * 5.2 The Categories of Discourse Presentation * 5.3. Subcategories of Speech, Writing, and Thought Presentation * 5.4 Summary Discourse Presentation in 19th-Century Narrative Fiction - Further Reflections * Chapter 6: Towards Developing a Procedure for Automatically Identifying Speech, Writing, and Thought Presentation * 6.1 Preliminaries * 6.2 The Procedure * Chapter 7: Narrative Progression and Characterization: The Functional Interplay between Narration and Discourse Presentation * 7.1. Reporting Strategies of NRS, NRT, and NRW and Discourse Presentation * 7.2 Paralinguistic Narration * 7.3 Imagination and Observation: Thought Presentation and Visual Narration in19th-Century Narrative Fiction * Chapter 8: Conclusion * Endnotes * Bibliography * Index
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