Exploring the dynamic genres of animation and comic book films, this book examines the transmedia role of Spider-Man: Into the Spider-Verse and its critical involvement in attempts to diversify representations in youth-oriented cinema and culture.
Exploring the dynamic genres of animation and comic book films, this book examines the transmedia role of Spider-Man: Into the Spider-Verse and its critical involvement in attempts to diversify representations in youth-oriented cinema and culture.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Charlie Michael is Assistant Professor in the Department of Film and Media at Emory University. His research focuses on popular culture and media industries in a global context. He is the author of French Blockbusters: Cultural Politics of a Transnational Cinema (2019) and the co-editor of the Directory of World Cinema: France (2013), and his work has also appeared in journals such as SubStance, Transnational Screens, and The Velvet Light Trap.
Inhaltsangabe
Introduction: 'My name is Miles Morales' 1. Into a Spider-Verse of References: 'I'm pretty sure you know the rest' 2. Animating the Spider-Verse:'This literally could not get any weirder' 3. Racializing the Spider-Verse:'You gotta choose a side' Conclusion: 'Which one pointed first?'
Introduction: 'My name is Miles Morales' 1. Into a Spider-Verse of References: 'I'm pretty sure you know the rest' 2. Animating the Spider-Verse:'This literally could not get any weirder' 3. Racializing the Spider-Verse:'You gotta choose a side' Conclusion: 'Which one pointed first?'
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