'A master of fictional espionage' Daily Mail 'In Deighton's best books - like this one - the narrative glides forward on rollers, and the scenes and characters fit perfectly into place. The result is marvellous' Independent Millions of pounds have gone missing, and the Department have sent agent Bernard Samson to Washington to track them down. But this mission is just the start of something far deeper and darker. It will take him from the English suburbs to Berlin, the South of France to Los Angeles and the heart of a maelstrom. In the first part of the Hook, Line and Sinker trilogy,…mehr
'In Deighton's best books - like this one - the narrative glides forward on rollers, and the scenes and characters fit perfectly into place. The result is marvellous' Independent
Millions of pounds have gone missing, and the Department have sent agent Bernard Samson to Washington to track them down. But this mission is just the start of something far deeper and darker. It will take him from the English suburbs to Berlin, the South of France to Los Angeles and the heart of a maelstrom. In the first part of the Hook, Line and Sinker trilogy, friends become enemies, pursuer becomes victim and no one - not even Bernard himself - is above suspicion.
Len Deighton was born in 1929 in London. He did his national service in the RAF, went to the Royal College of Art and designed many book jackets, including the original UK edition of Jack Kerouac's On the Road. The enormous success of his first spy novel, The IPCRESS File (1962), was repeated in a remarkable sequence of books over the following decades. These varied from historical fiction (Bomber, perhaps his greatest novel) to dystopian alternative fiction (SS-GB) and a number of brilliant non-fiction books on the Second World War (Fighter, Blitzkrieg and Blood, Tears and Folly). His spy novels chart the twists and turns of Britain and the Cold War in ways which now give them a unique flavour. They preserve a world in which Europe contains many dictatorships, in which the personal can be ruined by the ideological and where the horrors of the Second World War are buried under only a very thin layer of soil. Deighton's fascination with technology, his sense of humour and his brilliant evocation of time and place make him one of the key British espionage writers, alongside John Buchan, Eric Ambler, Ian Fleming and John Le Carré.
Rezensionen
In Deighton's best books - like this one - the narrative glides forward on rollers, and the scenes and characters fit perfectly into place. The result is marvellous entertainment. Independent
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