Here be Kraken! The Squid Cinema From Hell draws upon writers like Vilem Flusser, Donna J. Haraway, Graham Harman and Eugene Thacker to offer up a critical analysis of cephalopods and other tentacular creatures in contemporary media, while also speculating that digital media might themselves constitute a weird, intelligent alien.
Here be Kraken! The Squid Cinema From Hell draws upon writers like Vilem Flusser, Donna J. Haraway, Graham Harman and Eugene Thacker to offer up a critical analysis of cephalopods and other tentacular creatures in contemporary media, while also speculating that digital media might themselves constitute a weird, intelligent alien.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
William Brown is a Senior Lecturer in Film at the University of Roehampton, London. He is the author of various books, including Non-Cinema: Global Digital Filmmaking and the Multitude (Bloomsbury, 2018) and Supercinema: Film-Philosophy for the Digital Age (Berghahn, 2013). He is also a maker of micro-budget films, including En Attendant Godard (2009), Selfie (2014) and This is Cinema (2019). David H. Fleming is a Senior lecturer in the Communications, Media and Culture Division at the University of Stirling, Scotland. His research interests surround the intersectionalities of cinema, philosophy and technology and publishes widely in interdisciplinary journals including SubStance, Film-Philosophy, Deleuze Studies, Journal of Chinese Cinemas, Journal of Urban Cultural Studies, Social Semiotics and edited collections such as Posthumanisms Through Deleuze (Indiana University Press, forthcoming) and Deleuze and Film (Edinburgh University Press, 2012).
Inhaltsangabe
Acknowledgments Beaky prepostface 1. Introducing the End 2. Pulp Fiction and the Media Archaeology of Space 3. Encounters with a 4DX Kino-Kraken 4. Actorly Squid/Sets and Cephalopod Realism 5. The Erotic Ecstasy of Cthulhu 6. Cosmic Light, Cosmic Darkness 7. The Backwash of Becoming Cthulhu, Or, L8py, Tentacular Time 8. From the Modern Prometheus to the Modern Medusa
Acknowledgments Beaky prepostface 1. Introducing the End 2. Pulp Fiction and the Media Archaeology of Space 3. Encounters with a 4DX Kino-Kraken 4. Actorly Squid/Sets and Cephalopod Realism 5. The Erotic Ecstasy of Cthulhu 6. Cosmic Light, Cosmic Darkness 7. The Backwash of Becoming Cthulhu, Or, L8py, Tentacular Time 8. From the Modern Prometheus to the Modern Medusa
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