This collection features nine essays that explore how the material conditions of the early modern English stage shaped the theater. Topics range from the simulation of pregnant bodies by boy actors (and the effects of those simulations) to how bruises created by make-up might have been used on stage
This collection features nine essays that explore how the material conditions of the early modern English stage shaped the theater. Topics range from the simulation of pregnant bodies by boy actors (and the effects of those simulations) to how bruises created by make-up might have been used on stageHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Edited by Annalisa Castaldo and Rhonda Knight - Contributions by Jim Casey; Sarah Enloe; Robert W. Jones; Catherine Loomis; Sarah Neville; Stephen Purcell; Sid Ray; Sara B. T. Thiel and Amanda Zoch
Inhaltsangabe
Acknowledgments Preface: An Introduction and Primer to the American Shakespeare Center by Sarah Enloe Introduction by Annalisa Castaldo and Rhonda Knight Chapter 1: Whose Experiment is it Anyway?: Some Models for Practice-as-Research in Shakespeare Studies by Stephen Purcell Chapter 2: Shakespeare's Spirits: Staging the Supernatural on the Early Modern Stage by Jim Casey Chapter 3: Staging Epilepsy in Othello by Sid Ray Chapter 4: 'Sore hurt and bruised': Visual Damage in Othello" by Catherine Loomis Chapter 5: 'Heave Up!': The 'Wicked Weight' of Shakespeare's Antony and York's Christ" by R. W. Jones Chapter 6: Hiding in Plain Sight: Eavesdropping and the Physicality of the Stage by Annalisa Castaldo and Rhonda Knight Chapter 6: The 'Dead Body Problem': The Dramaturgy of Coffins on the Renaissance Stage by Sarah Neville Chapter 7: 'Cushion come forth': Materializing Pregnancy on the Stuart Stage" by Sara B. T. Thiel Chapter 8: Maternal Revision in Middleton's More Dissemblers Besides Women by Amanda Zoch Afterword: The Actors Speak About the Contributors Index
Acknowledgments Preface: An Introduction and Primer to the American Shakespeare Center by Sarah Enloe Introduction by Annalisa Castaldo and Rhonda Knight Chapter 1: Whose Experiment is it Anyway?: Some Models for Practice-as-Research in Shakespeare Studies by Stephen Purcell Chapter 2: Shakespeare's Spirits: Staging the Supernatural on the Early Modern Stage by Jim Casey Chapter 3: Staging Epilepsy in Othello by Sid Ray Chapter 4: 'Sore hurt and bruised': Visual Damage in Othello" by Catherine Loomis Chapter 5: 'Heave Up!': The 'Wicked Weight' of Shakespeare's Antony and York's Christ" by R. W. Jones Chapter 6: Hiding in Plain Sight: Eavesdropping and the Physicality of the Stage by Annalisa Castaldo and Rhonda Knight Chapter 6: The 'Dead Body Problem': The Dramaturgy of Coffins on the Renaissance Stage by Sarah Neville Chapter 7: 'Cushion come forth': Materializing Pregnancy on the Stuart Stage" by Sara B. T. Thiel Chapter 8: Maternal Revision in Middleton's More Dissemblers Besides Women by Amanda Zoch Afterword: The Actors Speak About the Contributors Index
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