While film and theatre studies have established their own critical terms and theoretical frames of reference, the potential for dialogue and reciprocity between these two art forms is often undermined by the absence of a shared vocabulary. This book sets out to remedy this by systematically mapping out a transmedial space in which both film and theatre can be discussed. Keywords and critical terms form the central structure of this study, helping to root the areas of commonality between film and theatre in relevant, applied contexts.
While film and theatre studies have established their own critical terms and theoretical frames of reference, the potential for dialogue and reciprocity between these two art forms is often undermined by the absence of a shared vocabulary. This book sets out to remedy this by systematically mapping out a transmedial space in which both film and theatre can be discussed. Keywords and critical terms form the central structure of this study, helping to root the areas of commonality between film and theatre in relevant, applied contexts.
Michael Ingham is an Associate Professor in the Department of English Studies at Lingnan University, Hong Kong. He is a founder member of Theatre Action, a drama group specializing in action research on literary drama texts and intercultural adaptations.
Inhaltsangabe
Introduction: All the screen s a stage; the critical-theoretical background Chapter 1 "Inexplicable dumb-shows"? Stage drama and adaptation in the silent movie era Chapter 2 Staging cinema: from `cinefied theatre to `theatred film Chapter 3 "A monster of the multitude": simulcast and 'captured live' versions of stage dramas Chapter 5 Filmed theatre: "cinema can be theatrical" Chapter 6 Complementary forms: the play-within-the-film Chapter 7 "The truth of cinematography" Conclusion Bibliography
Introduction: All the screen s a stage; the critical-theoretical background Chapter 1 "Inexplicable dumb-shows"? Stage drama and adaptation in the silent movie era Chapter 2 Staging cinema: from `cinefied theatre to `theatred film Chapter 3 "A monster of the multitude": simulcast and 'captured live' versions of stage dramas Chapter 5 Filmed theatre: "cinema can be theatrical" Chapter 6 Complementary forms: the play-within-the-film Chapter 7 "The truth of cinematography" Conclusion Bibliography
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309