Jonathan Gil Harris / Natasha Korda (eds.)
Staged Properties in Early Modern English Drama
Herausgeber: Harris, Jonathan Gil; Korda, Natasha
Jonathan Gil Harris / Natasha Korda (eds.)
Staged Properties in Early Modern English Drama
Herausgeber: Harris, Jonathan Gil; Korda, Natasha
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Explores the material, economic and dramatic roles of stage properties in early modern English drama.
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Explores the material, economic and dramatic roles of stage properties in early modern English drama.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 360
- Erscheinungstermin: 22. September 2006
- Englisch
- Abmessung: 229mm x 152mm x 21mm
- Gewicht: 584g
- ISBN-13: 9780521032094
- ISBN-10: 0521032091
- Artikelnr.: 22074313
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Cambridge University Press
- Seitenzahl: 360
- Erscheinungstermin: 22. September 2006
- Englisch
- Abmessung: 229mm x 152mm x 21mm
- Gewicht: 584g
- ISBN-13: 9780521032094
- ISBN-10: 0521032091
- Artikelnr.: 22074313
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Jonathan Gil Harris is Associate Professor of English at Ithaca College. He is the author of Foreign Bodies and the Body Politic: Discourses of Social Pathology in Early Modern England, (1998), as well as numerous articles on Renaissance drama and culture.
Natasha Korda is author of Shakespeare's Domestic Economies: Gender and Property in Early Modern England, (2002) and numerous essays on early modern drama and stage history. She is Associate Professor of English at Wesleyan University.
Natasha Korda is author of Shakespeare's Domestic Economies: Gender and Property in Early Modern England, (2002) and numerous essays on early modern drama and stage history. She is Associate Professor of English at Wesleyan University.
List of illustrations; Notes on contributors; 1. Introduction: towards a
materialist account of stage properties Jonathan Gil Harris and Natasha
Korda; Part I. Histories: 2. Properties of skill: product placement in
early English artisanal drama Jonathan Gil Harris; 3. The dramatic life of
objects in the early modern theatre Douglas Bruster; Part II. Furniture: 4.
Things with little social life (Henslowe's theatrical properties and
Elizabethan household fittings) Lena Cowen Orlin; 5. Properties of domestic
life: the table in Heywood's A Woman Killed with Kindness Catherine
Richardson; 6. 'Let me the curtains draw': the dramatic and symbolic
properties of the bed in Shakespearean tragedy Sasha Roberts; Part III.
Costumes: 7. Properties in clothes: the materials of the Renaissance
theatre Peter Stallybrass; 8. Women's theatrical properties Natasha Korda;
9. Staging the beard: masculinity in early modern English culture Will
Fisher; Part IV. Hand Properties: 10. Properties of marriage: proprietary
conflict and the calculus of gender in Epicoene Juana Green; 11. The
woman's parts of Cymbeline Valerie Wayne; 12. Wonder-effects: Othello's
handkerchief Paul Yachnin; Appendix; Index.
materialist account of stage properties Jonathan Gil Harris and Natasha
Korda; Part I. Histories: 2. Properties of skill: product placement in
early English artisanal drama Jonathan Gil Harris; 3. The dramatic life of
objects in the early modern theatre Douglas Bruster; Part II. Furniture: 4.
Things with little social life (Henslowe's theatrical properties and
Elizabethan household fittings) Lena Cowen Orlin; 5. Properties of domestic
life: the table in Heywood's A Woman Killed with Kindness Catherine
Richardson; 6. 'Let me the curtains draw': the dramatic and symbolic
properties of the bed in Shakespearean tragedy Sasha Roberts; Part III.
Costumes: 7. Properties in clothes: the materials of the Renaissance
theatre Peter Stallybrass; 8. Women's theatrical properties Natasha Korda;
9. Staging the beard: masculinity in early modern English culture Will
Fisher; Part IV. Hand Properties: 10. Properties of marriage: proprietary
conflict and the calculus of gender in Epicoene Juana Green; 11. The
woman's parts of Cymbeline Valerie Wayne; 12. Wonder-effects: Othello's
handkerchief Paul Yachnin; Appendix; Index.
List of illustrations; Notes on contributors; 1. Introduction: towards a
materialist account of stage properties Jonathan Gil Harris and Natasha
Korda; Part I. Histories: 2. Properties of skill: product placement in
early English artisanal drama Jonathan Gil Harris; 3. The dramatic life of
objects in the early modern theatre Douglas Bruster; Part II. Furniture: 4.
Things with little social life (Henslowe's theatrical properties and
Elizabethan household fittings) Lena Cowen Orlin; 5. Properties of domestic
life: the table in Heywood's A Woman Killed with Kindness Catherine
Richardson; 6. 'Let me the curtains draw': the dramatic and symbolic
properties of the bed in Shakespearean tragedy Sasha Roberts; Part III.
Costumes: 7. Properties in clothes: the materials of the Renaissance
theatre Peter Stallybrass; 8. Women's theatrical properties Natasha Korda;
9. Staging the beard: masculinity in early modern English culture Will
Fisher; Part IV. Hand Properties: 10. Properties of marriage: proprietary
conflict and the calculus of gender in Epicoene Juana Green; 11. The
woman's parts of Cymbeline Valerie Wayne; 12. Wonder-effects: Othello's
handkerchief Paul Yachnin; Appendix; Index.
materialist account of stage properties Jonathan Gil Harris and Natasha
Korda; Part I. Histories: 2. Properties of skill: product placement in
early English artisanal drama Jonathan Gil Harris; 3. The dramatic life of
objects in the early modern theatre Douglas Bruster; Part II. Furniture: 4.
Things with little social life (Henslowe's theatrical properties and
Elizabethan household fittings) Lena Cowen Orlin; 5. Properties of domestic
life: the table in Heywood's A Woman Killed with Kindness Catherine
Richardson; 6. 'Let me the curtains draw': the dramatic and symbolic
properties of the bed in Shakespearean tragedy Sasha Roberts; Part III.
Costumes: 7. Properties in clothes: the materials of the Renaissance
theatre Peter Stallybrass; 8. Women's theatrical properties Natasha Korda;
9. Staging the beard: masculinity in early modern English culture Will
Fisher; Part IV. Hand Properties: 10. Properties of marriage: proprietary
conflict and the calculus of gender in Epicoene Juana Green; 11. The
woman's parts of Cymbeline Valerie Wayne; 12. Wonder-effects: Othello's
handkerchief Paul Yachnin; Appendix; Index.