Jonathan Gil Harris / Natasha Korda (eds.)
Staged Properties in Early Modern English Drama
Herausgeber: Harris, Jonathan Gil; Korda, Natasha
Jonathan Gil Harris / Natasha Korda (eds.)
Staged Properties in Early Modern English Drama
Herausgeber: Harris, Jonathan Gil; Korda, Natasha
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This collection of essays explores the material, economic and dramatic roles of stage properties in early modern English drama.
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This collection of essays explores the material, economic and dramatic roles of stage properties in early modern English drama.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 358
- Erscheinungstermin: 2. März 2015
- Englisch
- Abmessung: 235mm x 157mm x 26mm
- Gewicht: 732g
- ISBN-13: 9780521813228
- ISBN-10: 0521813220
- Artikelnr.: 35457019
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Cambridge University Press
- Seitenzahl: 358
- Erscheinungstermin: 2. März 2015
- Englisch
- Abmessung: 235mm x 157mm x 26mm
- Gewicht: 732g
- ISBN-13: 9780521813228
- ISBN-10: 0521813220
- Artikelnr.: 35457019
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
List of illustrations; Notes on contributors; 1. Introduction: towards a
materialist account of stage properties Jonathan Gil Harris and Natasha
Korda; Part I. Histories: 2. Properties of skill: product placement in
early English artisanal drama Jonathan Gil Harris; 3. The dramatic life of
objects in the early modern theatre Douglas Bruster; Part II. Furniture: 4.
Things with little social life (Henslowe's theatrical properties and
Elizabethan household fittings) Lena Cowen Orlin; 5. Properties of domestic
life: the table in Heywood's A Woman Killed with Kindness Catherine
Richardson; 6. 'Let me the curtains draw': the dramatic and symbolic
properties of the bed in Shakespearean tragedy Sasha Roberts; Part III.
Costumes: 7. Properties in clothes: the materials of the Renaissance
theatre Peter Stallybrass; 8. Women's theatrical properties Natasha Korda;
9. Staging the beard: masculinity in early modern English culture Will
Fisher; Part IV. Hand Properties: 10. Properties of marriage: proprietary
conflict and the calculus of gender in Epicoene Juana Green; 11. The
woman's parts of Cymbeline Valerie Wayne; 12. Wonder-effects: Othello's
handkerchief Paul Yachnin; Appendix; Index.
materialist account of stage properties Jonathan Gil Harris and Natasha
Korda; Part I. Histories: 2. Properties of skill: product placement in
early English artisanal drama Jonathan Gil Harris; 3. The dramatic life of
objects in the early modern theatre Douglas Bruster; Part II. Furniture: 4.
Things with little social life (Henslowe's theatrical properties and
Elizabethan household fittings) Lena Cowen Orlin; 5. Properties of domestic
life: the table in Heywood's A Woman Killed with Kindness Catherine
Richardson; 6. 'Let me the curtains draw': the dramatic and symbolic
properties of the bed in Shakespearean tragedy Sasha Roberts; Part III.
Costumes: 7. Properties in clothes: the materials of the Renaissance
theatre Peter Stallybrass; 8. Women's theatrical properties Natasha Korda;
9. Staging the beard: masculinity in early modern English culture Will
Fisher; Part IV. Hand Properties: 10. Properties of marriage: proprietary
conflict and the calculus of gender in Epicoene Juana Green; 11. The
woman's parts of Cymbeline Valerie Wayne; 12. Wonder-effects: Othello's
handkerchief Paul Yachnin; Appendix; Index.
List of illustrations; Notes on contributors; 1. Introduction: towards a
materialist account of stage properties Jonathan Gil Harris and Natasha
Korda; Part I. Histories: 2. Properties of skill: product placement in
early English artisanal drama Jonathan Gil Harris; 3. The dramatic life of
objects in the early modern theatre Douglas Bruster; Part II. Furniture: 4.
Things with little social life (Henslowe's theatrical properties and
Elizabethan household fittings) Lena Cowen Orlin; 5. Properties of domestic
life: the table in Heywood's A Woman Killed with Kindness Catherine
Richardson; 6. 'Let me the curtains draw': the dramatic and symbolic
properties of the bed in Shakespearean tragedy Sasha Roberts; Part III.
Costumes: 7. Properties in clothes: the materials of the Renaissance
theatre Peter Stallybrass; 8. Women's theatrical properties Natasha Korda;
9. Staging the beard: masculinity in early modern English culture Will
Fisher; Part IV. Hand Properties: 10. Properties of marriage: proprietary
conflict and the calculus of gender in Epicoene Juana Green; 11. The
woman's parts of Cymbeline Valerie Wayne; 12. Wonder-effects: Othello's
handkerchief Paul Yachnin; Appendix; Index.
materialist account of stage properties Jonathan Gil Harris and Natasha
Korda; Part I. Histories: 2. Properties of skill: product placement in
early English artisanal drama Jonathan Gil Harris; 3. The dramatic life of
objects in the early modern theatre Douglas Bruster; Part II. Furniture: 4.
Things with little social life (Henslowe's theatrical properties and
Elizabethan household fittings) Lena Cowen Orlin; 5. Properties of domestic
life: the table in Heywood's A Woman Killed with Kindness Catherine
Richardson; 6. 'Let me the curtains draw': the dramatic and symbolic
properties of the bed in Shakespearean tragedy Sasha Roberts; Part III.
Costumes: 7. Properties in clothes: the materials of the Renaissance
theatre Peter Stallybrass; 8. Women's theatrical properties Natasha Korda;
9. Staging the beard: masculinity in early modern English culture Will
Fisher; Part IV. Hand Properties: 10. Properties of marriage: proprietary
conflict and the calculus of gender in Epicoene Juana Green; 11. The
woman's parts of Cymbeline Valerie Wayne; 12. Wonder-effects: Othello's
handkerchief Paul Yachnin; Appendix; Index.