Peter C Kunze

Staging a Comeback

Broadway, Hollywood, and the Disney Renaissance

• Gebundenes Buch

Produktbeschreibung

Drawing on original archival research and interviews, Peter C. Kunze offers a revisionist account of the Disney Renaissance that foregrounds the role of theatrically-trained talent in revitalizing Disney Animation. In so doing, he situates this impressive turnaround at the intersection of two dynamic entertainment industries with a long, underexamined relationships, Hollywood and Broadway.

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Produktdetails

• Verlag: Rutgers University Press
• Seitenzahl: 222
• Erscheinungstermin: 15. September 2023
• Englisch
• Abmessung: 235mm x 156mm x 30mm
• Gewicht: 458g
• ISBN-13: 9781978827820
• ISBN-10: 1978827822
• Artikelnr.: 67453658

Autorenporträt

PETER C. KUNZE is an assistant professor of communication at Tulane University. He is the editor or coeditor of several books, including The Films of Wes Anderson: Critical Essays on an Indiewood Icon,  American-Australian Cinema: Transnational Connections, and Taking a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals.

Inhaltsangabe

Introduction 
1 "Just Waiting for the Prince to Arrive": Broadway and Hollywood before
the Disney Renaissance, 1982
2 "Sort of Like the Sopranos Took Over the Studio": Regime Change at
Disney, 1983-1986
3 "Make the Audience Fall in Love with Her": Howard Ashman and Alan Menken,
The Little Mermaid,  and Disney, 1987-1989
4 "A Celebration of Certain Sensibilities": Howard Ashman and Alan Menken,
Beauty and the Beast, and Disney, 1990-1991
5 "Like the Old-Fashioned Musicals Did": Robert Jess Roth, Beauty and the
Beast, and Disney, 1992-1994
6 "I Don't Do Cute": Julie Taymor, The Lion King, and Disney, 1994-1998
Conclusion
Acknowledgments
Notes
Index