Applying current political theory on nationhood and methods established by recent performance studies, this study sheds new light on the role the public theatre played in the rise of English national identity around 1600. It situates selected history plays in the context of non-fictional texts - historiographies, chorographies and political treatises - and cultural artefacts such as maps or portraits to highlight the circulation, and mutation, of national thought in late 16th-century culture.
Applying current political theory on nationhood and methods established by recent performance studies, this study sheds new light on the role the public theatre played in the rise of English national identity around 1600. It situates selected history plays in the context of non-fictional texts - historiographies, chorographies and political treatises - and cultural artefacts such as maps or portraits to highlight the circulation, and mutation, of national thought in late 16th-century culture.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ralf Hertel is Professor of English Literature at the University of Trier, Germany.
Inhaltsangabe
Introduction: Performing National Identity on the Early Modern Stage Part I Territory Chapter 1 Plotting England: The Transformation of Territory into Homeland Chapter 2 Mapping the Globe: The Cartographic Gaze and Henry IV Part 1 Part II History Chapter 3 Making History: Staging the National Past Chapter 4 Nationalizing History? The Anglica Historia, Richard III and the Appropriation of the English Past Part III Religion Chapter 5 Performing Religion: Belief and National Identity Chapter 6 The New Faith of the Nation: Religion in King John Part IV Class Chapter 7 How Common Is the Commonwealth? Class and National Identity Chapter 8 'Infinite numbers': Nation and Class in Henry VI Part 2 partV Gender Chapter 9 Women on Top: Gender and National Identity Chapter 10 The Private Is Political: Gender and Nation in Edward II Conclusion: Early Modern Englishness and the Transformative Power of the Performative
Introduction: Performing National Identity on the Early Modern Stage Part I Territory Chapter 1 Plotting England: The Transformation of Territory into Homeland Chapter 2 Mapping the Globe: The Cartographic Gaze and Henry IV Part 1 Part II History Chapter 3 Making History: Staging the National Past Chapter 4 Nationalizing History? The Anglica Historia, Richard III and the Appropriation of the English Past Part III Religion Chapter 5 Performing Religion: Belief and National Identity Chapter 6 The New Faith of the Nation: Religion in King John Part IV Class Chapter 7 How Common Is the Commonwealth? Class and National Identity Chapter 8 'Infinite numbers': Nation and Class in Henry VI Part 2 partV Gender Chapter 9 Women on Top: Gender and National Identity Chapter 10 The Private Is Political: Gender and Nation in Edward II Conclusion: Early Modern Englishness and the Transformative Power of the Performative
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