Andere Kunden interessierten sich auch für
![Little Detours: The Letters and Plays of Luise Gottsched [1713-1762]]( "Little Detours: The Letters and Plays of Luise Gottsched [1713-1762]")
Little Detours: The Letters and Plays of Luise Gottsched [1713-1762]117,99 €![Nestroy and the Critics]( "Nestroy and the Critics")
Nestroy and the Critics101,99 €![Georg Kaiser and the Critics: A Profile of Expressionism's Leading Playwright]( "Georg Kaiser and the Critics: A Profile of Expressionism's Leading Playwright")
Georg Kaiser and the Critics: A Profile of Expressionism's Leading Playwright106,99 €![The Ironic Dissident: Frank Wedekind in the View of His Critics]( "The Ironic Dissident: Frank Wedekind in the View of His Critics")
The Ironic Dissident: Frank Wedekind in the View of His Critics89,99 €![Interpreting Goethe's Faust Today]( "Interpreting Goethe's Faust Today")
Interpreting Goethe's Faust Today129,99 €![Ghost: An Enemy Of The People: The Wild Duck]( "Ghost: An Enemy Of The People: The Wild Duck")
Ghost: An Enemy Of The People: The Wild Duck39,99 €![Critical Approaches to Goethe's Classical Dramas: Iphigenie, Torquato Tasso, and Die Natürliche Tochter]( "Critical Approaches to Goethe's Classical Dramas: Iphigenie, Torquato Tasso, and Die Natürliche Tochter")
Critical Approaches to Goethe's Classical Dramas: Iphigenie, Torquato Tasso, and Die Natürliche Tochter107,99 €
![Little Detours: The Letters and Plays of Luise Gottsched [1713-1762]](https://bilder.buecher.de/produkte/21/21772/21772417m.jpg "Little Detours: The Letters and Plays of Luise Gottsched [1713-1762]")
"Staging History analyzes the commitment to social change present in the theatrical and theoretical writings of Bertolt Brecht's. Challenging previous notions, Astird Oesmann argues that Brecht's work was less dependent on Marxist ideology than is often assumed and that his work should be seen as a coherent whole. Brecht used the stage to release political ideas into experimental spaces in which actors and spectators could explore the relationships between abstract thought and concrete social life. Oesmann places Brecht within the context of the major leftist theorists of the twentieth century, particularly Adorno, Benjamin, and LukC cs, focusing on their discussions of realism, aesthetics, natural history, and mimesis. Oesmann elaborates upon the vision of a "counter-public sphere" in a number of Brecht's theoretical texts and plays--"especially "The Three Penny Trial and Fear and Misery of the Third Reich--" that present the emergence of such a sphere in the face of fascism. By exploring Brecht's theoretical writings, selected plays, and recently published theatrical fragments, Oesmann reveals unpredictable constructions of history and surprising distinctions among various political ideologies, while also proving that Brecht remains vitally relevant to a "post-communist" world.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.