Staging Japanese Theatre - Mitchell, John
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The appeal of Asian Theater in America today confirms that the theatre of the Far East is a remarkable and catalytic experience for a Western audience. Staging Japanese Theatre presents two complete plays in the theatrical forms of Noh and Kabuki. Each play appears in Japanese with English translations on facing pages and is pre-ceded by a brief history of the theatre form and the evolution of the production. The text contains an abundance of photographs, diagrams, and the stage directions from the IASTA performance.

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Produktbeschreibung
The appeal of Asian Theater in America today confirms that the theatre of the Far East is a remarkable and catalytic experience for a Western audience. Staging Japanese Theatre presents two complete plays in the theatrical forms of Noh and Kabuki. Each play appears in Japanese with English translations on facing pages and is pre-ceded by a brief history of the theatre form and the evolution of the production. The text contains an abundance of photographs, diagrams, and the stage directions from the IASTA performance.
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Autorenporträt
John D. Mitchell is Co-Founder and President of the Institute for Advanced Studies in the Theatre Arts. As author, stage director, and actor, Dr. Mitchell under the aegis of IASTA, has presented twenty-two productions directed by internationally famous master artists. Dr. Mitchell speaks seven languages, two of them Asian. He translated and produced off-Broadway Phedre, Butterfly Dream, Gladiators Thirty Millions and House of Fools. He is the author of The Red Pear Garden, Wild Board Forest, Theatre: The Search for Style, and Macbeth Unjinxed (based on John Blatchley's production of Macbeth). He also translated Verlaine's poems Femmes/Hombres . In collaboration with Donald Chang, he translated and adapted the Peking Opera, The Fox Cat Substituted for the Crown Prince, he was a contributor to Appreciating the Nine Five, and he co-authored the musical Live Life to the Hilt. He has produced and narrated twenty-five films on the humanities and aspects of international theatre styles. From 1944 to 1948 Dr. Mitchell was co-director of the Metropolitan Opera Broadcasts for The American Broadcasting Company. He lives in New York City, is married, and has two sons and a daughter.