Brian KulickStaging Shakespeare
A Director's Guide to Preparing a Production
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Introduction: "For It Hath No Bottom" Shakespeare and the Vertigo of
Multiple Meaning PART ONE: "It Shall be Inventoried" A Brief Look at
Shakespeare's Dramatic World Chapter One: "Now Sir, What is Your Text?"
Which Shakespeare; Which Text? Chapter Two: "And There is Much Music."
Learning to Read the Visible and Invisible Score of Shakespeare Chapter
Three: "Wherefore Are These Things Hid?" Pattern Recognition in
Shakespeare's Plays Chapter Four: "Your Actions Are My Dreams;" Structure
and Shakespeare Chapter Five: "Stand and Unfold Yourself" Revelation of
Character in the Works of Shakespeare. PART TWO "What Means This, My Lord?"
A Fourfold Approach to Interpretation Chapter Six: "To Sing a Song That Old
Was Sung." Plain Readings Chapter Seven: "You Speak a Language I Know Not."
Allegorical Readings Chapter Eight: "A Natural Perspective That is and is
Not." Analogical Readings Chapter Nine: "Is Not This Strange" Abstract
Readings PART THREE "Come, Give Us A Taste of your Quality." Practical
Matters Chapter Ten: "What Say You?" Finding the Rhyme between Shakespeare,
Yourself, and Your Time Chapter Eleven: "The Fall of a Sparrow." Shaping
Shakespeare Chapter Twelve. "Brave New Worlds." Designing Shakespeare
Chapter Thirteen: "The World Must be Peopled." Auditions Chapter Fourteen:
"Resolve You For More Amazement." The First Day of Rehearsal Chapter
Fifteen: "For Here I Hope Begins Our Lasting Joy." A Word About
Shakespeare's Endings Index
