Brian KulickStaging Shakespeare
A Director's Guide to Preparing a Production
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Introduction: "For It Hath No Bottom" Shakespeare and the Vertigo of
Multiple Meaning
PART ONE: "It Shall be Inventoried" A Brief Look at Shakespeare's Dramatic
World
Chapter One: "Now Sir, What is Your Text?" Which Shakespeare; Which Text?
Chapter Two: "And There is Much Music." Learning to Read the Visible and
Invisible Score of Shakespeare
Chapter Three: "Wherefore Are These Things Hid?" Pattern Recognition in
Shakespeare's Plays
Chapter Four: "Your Actions Are My Dreams;" Structure and Shakespeare
Chapter Five: "Stand and Unfold Yourself" Revelation of Character in the
Works of Shakespeare.
PART TWO "What Means This, My Lord?" A Fourfold Approach to Interpretation
Chapter Six: "To Sing a Song That Old Was Sung." Plain Readings
Chapter Seven: "You Speak a Language I Know Not." Allegorical Readings
Chapter Eight: "A Natural Perspective That is and is Not." Analogical
Readings
Chapter Nine: "Is Not This Strange" Abstract Readings
PART THREE "Come, Give Us A Taste of your Quality." Practical Matters
Chapter Ten: "What Say You?" Finding the Rhyme between Shakespeare,
Yourself, and Your Time
Chapter Eleven: "The Fall of a Sparrow." Shaping Shakespeare
Chapter Twelve. "Brave New Worlds." Designing Shakespeare
Chapter Thirteen: "The World Must be Peopled." Auditions
Chapter Fourteen: "Resolve You For More Amazement." The First Day of
Rehearsal
Chapter Fifteen: "For Here I Hope Begins Our Lasting Joy." A Word About
Shakespeare's Endings
Index
