Examines Caroline theatre as a space where the concerns of the English Roman Catholic community are staged. This title juxtaposes an analysis of Queen Henrietta Maria's performances which showcased to an elite audience her role as defender of English Catholics, against an exploration of how this community responded to such a startling vision.
Examines Caroline theatre as a space where the concerns of the English Roman Catholic community are staged. This title juxtaposes an analysis of Queen Henrietta Maria's performances which showcased to an elite audience her role as defender of English Catholics, against an exploration of how this community responded to such a startling vision.
Rebecca Bailey is a Senior Lecturer in English Literature at Liverpool John Moores University . Prior to this, she was employed by the BBC as a Broadcast Media Researcher
Inhaltsangabe
Introduction Counter Reformation politics and the Caroline stage 1. The public discourse of religion in Stuart England 2. James Shirley: the early texts, 1625 29 3. 'A case for conscience': Issues of allegiance and identity, 1630 33 4. William Davenant: the chimera of religious reunion, 1634 37 5. 'A broken time': The tempering of an international Catholicism, 1637 40 Conclusion
Introduction Counter Reformation politics and the Caroline stage 1. The public discourse of religion in Stuart England 2. James Shirley: the early texts, 1625 29 3. 'A case for conscience': Issues of allegiance and identity, 1630 33 4. William Davenant: the chimera of religious reunion, 1634 37 5. 'A broken time': The tempering of an international Catholicism, 1637 40 Conclusion
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