""Staging the World" fundamentally challenges the conventional assumptions of late-nineteenth- and early-twentieth-century intellectual history and proposes a creative, alternative imagining of the historiography of modern China. This is a rare work of intellectual ambition and righteous moral sense."--Lionel M. Jensen, author of "Manufacturing Confucianism: Chinese Traditions and Universal Civilization"
""Staging the World" fundamentally challenges the conventional assumptions of late-nineteenth- and early-twentieth-century intellectual history and proposes a creative, alternative imagining of the historiography of modern China. This is a rare work of intellectual ambition and righteous moral sense."--Lionel M. Jensen, author of "Manufacturing Confucianism: Chinese Traditions and Universal Civilization"Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Rebecca E. Karl is Associate Professor of History at New York University. She is the author of The Magic of Concepts: History and the Economic in Twentieth-Century China and Mao Zedong and China in the Twentieth-Century World: A Concise History and co-translator (with Xueping Zhong) of Cai Xiang's Revolution and Its Narratives: China’s Socialist Literary and Cultural Imaginaries, 1949-1966, all also published by Duke University Press. She co-translated and coedited (with Lydia H. Liu and Dorothy Ko) The Birth of Chinese Feminism: Essential Texts in Transnational Theory.
Inhaltsangabe
Preface & Acknowledgments Part I > 1. Introduction: Shifting Perspectives on Modern Chinese Nationalism 2. Staging the World Part II 3. Deterritorializing Politics: The Pacific and Hawaii as Chinese National Space 4. Recognizing Colonialism: The Philippines and Revolution 5. Promoting the Ethnos: The Boer War and Discourses of the People Part III 6. Performing on the World Stage in Asia 7. Re-creating China’s World Conclusion Appendix Notes Bibliography Index
Preface & Acknowledgments Part I > 1. Introduction: Shifting Perspectives on Modern Chinese Nationalism 2. Staging the World Part II 3. Deterritorializing Politics: The Pacific and Hawaii as Chinese National Space 4. Recognizing Colonialism: The Philippines and Revolution 5. Promoting the Ethnos: The Boer War and Discourses of the People Part III 6. Performing on the World Stage in Asia 7. Re-creating China’s World Conclusion Appendix Notes Bibliography Index
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