Table of contents:
Part 1. Donors, Technique, Iconography, Domestic Glass 1. Donors and Patrons 2. The Technique of Medieval Glass-painting and the Organisation of Workshops 3. The Iconography of English Medieval Windows 4. Domestic Glass Part 2. Chronological Survey 5. The Earliest English Stained Glass c.670-1170 6. Stained Glass c.1170-1250 7. The Decorated Style c.1250-1350 8. The International Style c.1350-1450 9. The End of the Middle Ages 10. The Dominance of the Foreign Glaziers 11. The Reformation and After
The first modern study of the medium, this book considers stained glass in relation to architecture and other arts, and by examining contemporary documents, it throws valuable light on workshop organisation, prices and patronage.
Part 1. Donors, Technique, Iconography, Domestic Glass 1. Donors and Patrons 2. The Technique of Medieval Glass-painting and the Organisation of Workshops 3. The Iconography of English Medieval Windows 4. Domestic Glass Part 2. Chronological Survey 5. The Earliest English Stained Glass c.670-1170 6. Stained Glass c.1170-1250 7. The Decorated Style c.1250-1350 8. The International Style c.1350-1450 9. The End of the Middle Ages 10. The Dominance of the Foreign Glaziers 11. The Reformation and After
The first modern study of the medium, this book considers stained glass in relation to architecture and other arts, and by examining contemporary documents, it throws valuable light on workshop organisation, prices and patronage.