Stalinism in Kazakhstan: History, Memory, and Representation explores Stalinist repressions in Kazakhstan through analyses of collective trauma, selective memory, and representations in contemporary art and literature.
Stalinism in Kazakhstan: History, Memory, and Representation explores Stalinist repressions in Kazakhstan through analyses of collective trauma, selective memory, and representations in contemporary art and literature.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Zhulduzbek Abylkhozhin is an independent scholar. Mikhail Akulov is assistant professor at Nazarbayev University. Alexandra Tsay is an independent scholar.
Inhaltsangabe
I History Chapter 1: Limited Welfare State: On Utopia and Terror in the Third Reich and the Soviet Union Chapter 2: Stalinist Anti-Peasant Repression Policy and its Implementation in Kazakhstan (Late 1920s-Early1930s) Chapter 3: An Episode in the History of the Academy of Sciences of the Kazakh SSR in the Early 1950s II Memory Chapter 4: Altynshash Chapter 5: The Winds of Time Dry Out the Grass of Oblivion Chapter 6: Between Oblivion and Remembrance III Representation Chapter 7: Reclaimed Names Chapter 8: "Our Camp Grew into a Busy City..." The Art of Deportee Artists in Karaganda (late 1930s-early 1960s) Chapter 9: The Endless Time After: Art as a Medium for Understanding Cultural Memory and Trauma in Post-soviet Kazakhstan
I History Chapter 1: Limited Welfare State: On Utopia and Terror in the Third Reich and the Soviet Union Chapter 2: Stalinist Anti-Peasant Repression Policy and its Implementation in Kazakhstan (Late 1920s-Early1930s) Chapter 3: An Episode in the History of the Academy of Sciences of the Kazakh SSR in the Early 1950s II Memory Chapter 4: Altynshash Chapter 5: The Winds of Time Dry Out the Grass of Oblivion Chapter 6: Between Oblivion and Remembrance III Representation Chapter 7: Reclaimed Names Chapter 8: "Our Camp Grew into a Busy City..." The Art of Deportee Artists in Karaganda (late 1930s-early 1960s) Chapter 9: The Endless Time After: Art as a Medium for Understanding Cultural Memory and Trauma in Post-soviet Kazakhstan
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