Sharon Marie Carnicke is widely known for her groundbreaking work on Russian acting techniques, her innovative examination of film acting, and her recent collaboration with computer scientists on acting's place in virtual reality. With a Ph.D. in Russian from Columbia University and professional performance experience in New York, Moscow and Los Angeles, she speaks to theatre practitioners and scholars alike. She is currently Professor of Theatre and Slavic Languages at the University of Southern California and the leader of a workshop on Active Analysis (A/ACT) in Los Angeles.
Preface: Stanislavsky Enters the Twenty-First Century Part 1: Transmission
From Moscow to New York. New York Adopts Stanislavsky. Part 2: Translation
The Classroom Circuit. The Publication Maze. Part 3: Transformation
Stanislavsky's Lost Term. Emotion and the Human Spirit of the Role. Action
and the Human Body in the Role. Conclusion: A Legacy for the Future.
Appendix I : Reading Between the Lines. Appendix II: Stanislavsky and
Modern Dance. The System's Terminology: A Selected Glossary
