Stanley Kubrick Produces examines Kubrick’s role as a producer. With the use of neglected archival sources, the book makes the case for how Kubrick’s centralizing of power in his role as a producer became a self-defeating strategy by the 1980s and 1990s, one that led him to struggle to move projects out of development and into active production.
Stanley Kubrick Produces examines Kubrick’s role as a producer. With the use of neglected archival sources, the book makes the case for how Kubrick’s centralizing of power in his role as a producer became a self-defeating strategy by the 1980s and 1990s, one that led him to struggle to move projects out of development and into active production. Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
JAMES FENWICK is a senior lecturer in media and communication at Sheffield Hallam University in the UK. He is the editor of Understanding Kubrick’s 2001: A Space Odyssey and author of numerous book chapters and journal articles on the life and work of Stanley Kubrick.
Inhaltsangabe
Contents
Introduction Part I The Emergence of a Film Producer 1928-1955 1 The Beginning, 1928-1951 2 The Unknown Early Years, 1951-1953 3 The New York ‘Film School’, 1953-1955 Part II The Harris-Kubrick Pictures Corporation 1955-1962 4 The New UA Team, 1955-1956 5 New Modes of Producing, 1957-1959 6 Swords, Sandals, Sex and Soviets, 1959-1962 Part III Polaris Productions and Hawk Films 1962-1969 7 The Establishment of a Producing Powerhouse, 1962-1964 8 Kubrick versus MGM, 1964-1969 Part IV The Decline of a Film Producer 1970-1999 9 Kubrick and Warner Bros., 1970-1980 10 The End, 1980-1999 Epilogue Appendix I: World Assembly of Youth credits Appendix II: Filmography Acknowledgements About the Author Notes Index
Introduction Part I The Emergence of a Film Producer 1928-1955 1 The Beginning, 1928-1951 2 The Unknown Early Years, 1951-1953 3 The New York ‘Film School’, 1953-1955 Part II The Harris-Kubrick Pictures Corporation 1955-1962 4 The New UA Team, 1955-1956 5 New Modes of Producing, 1957-1959 6 Swords, Sandals, Sex and Soviets, 1959-1962 Part III Polaris Productions and Hawk Films 1962-1969 7 The Establishment of a Producing Powerhouse, 1962-1964 8 Kubrick versus MGM, 1964-1969 Part IV The Decline of a Film Producer 1970-1999 9 Kubrick and Warner Bros., 1970-1980 10 The End, 1980-1999 Epilogue Appendix I: World Assembly of Youth credits Appendix II: Filmography Acknowledgements About the Author Notes Index
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