Andere Kunden interessierten sich auch für
![A Guide To The First and Second Egyptian Rooms]( "A Guide To The First and Second Egyptian Rooms")
A Guide To The First and Second Egyptian Rooms11,99 €![Alphabets Old and New: Containing Over One Hundred and Fifty Complete Alphabets, Thirty Series of Numerals, and Numerous Facsimiles of Ancien]( "Alphabets Old and New: Containing Over One Hundred and Fifty Complete Alphabets, Thirty Series of Numerals, and Numerous Facsimiles of Ancien")
Alphabets Old and New: Containing Over One Hundred and Fifty Complete Alphabets, Thirty Series of Numerals, and Numerous Facsimiles of Ancien26,99 €![Manual of Oriental Antiquities; Including the Architecture, Sculpture and Industrial Arts of Chaldæa, Assyria, Persia, Syria, Judæa, Phoenicia and Car]( "Manual of Oriental Antiquities; Including the Architecture, Sculpture and Industrial Arts of Chaldæa, Assyria, Persia, Syria, Judæa, Phoenicia and Car")
Manual of Oriental Antiquities; Including the Architecture, Sculpture and Industrial Arts of Chaldæa, Assyria, Persia, Syria, Judæa, Phoenicia and Car26,99 €![A History of Ornament, Ancient and Medieval]( "A History of Ornament, Ancient and Medieval")
A History of Ornament, Ancient and Medieval28,99 €![Photography or Life / Popular Mies: Columns of Smoke, Volume 1]( "Photography or Life / Popular Mies: Columns of Smoke, Volume 1")
Photography or Life / Popular Mies: Columns of Smoke, Volume 129,99 €![Design, Ecology, Politics]( "Design, Ecology, Politics")
Design, Ecology, Politics39,99 €![Arts and Community Change]( "Arts and Community Change")
Arts and Community Change85,99 €
Literary Nonfiction. Art, Architecture, and Craft. STARTING FROM 'I DON'T KNOW' documents a 2011 week-long workshop at Sitterwerk, St. Gallen, in which Studio Mumbai's Bijoy Jain joined expert craftspeople from Switzerland to share the knowledge, techniques, and insights from their own practices with students, artists, and architects. The interviews in this book explore the creative potential of hands-on learning, local knowledge, and open experimentation. Celebrating the role of chance and collaboration in the process of making, STARTING FROM 'I DON'T KNOW' makes an argument for bringing together the oft-separated areas of architecture and craft early in the design process.