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This book is a challenge for me. Indeed, I am not what you could call a technical nut because logic is not my strong point. However it is something that interests me. My favorite fields are the frame and especially the editing. With this thesis, I wanted to know where these equipments I use come from and especially to understand how they work. I understood their functioning "on the surface", but not in depth and that's what I wanted to work on in this thesis: Understand how audiovisual equipment is now democratized, know the evolution of the equipment I use, the links between these equipments that have resulted from audiovisual evolutions.…mehr

Produktbeschreibung
This book is a challenge for me. Indeed, I am not what you could call a technical nut because logic is not my strong point. However it is something that interests me. My favorite fields are the frame and especially the editing. With this thesis, I wanted to know where these equipments I use come from and especially to understand how they work. I understood their functioning "on the surface", but not in depth and that's what I wanted to work on in this thesis: Understand how audiovisual equipment is now democratized, know the evolution of the equipment I use, the links between these equipments that have resulted from audiovisual evolutions.
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Autorenporträt
Chloë Coussi descubrió muy pronto su pasión por el vídeo. Se graduó en la ESRA de París (Escuela Superior de Realización Audiovisual) y ahora es directora, camarógrafa y editora de vídeo. Trabaja por su cuenta en la filmación de empresas y eventos y está radicada en el oeste de Francia. Dice que tiene suerte de trabajar en lo que le apasiona.