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This book is a challenge for me. Indeed, I am not what you could call a technical nut because logic is not my strong point. However it is something that interests me. My favorite fields are the frame and especially the editing. With this thesis, I wanted to know where these equipments I use come from and especially to understand how they work. I understood their functioning "on the surface", but not in depth and that's what I wanted to work on in this thesis: Understand how audiovisual equipment is now democratized, know the evolution of the equipment I use, the links between these equipments that have resulted from audiovisual evolutions.…mehr

Produktbeschreibung
This book is a challenge for me. Indeed, I am not what you could call a technical nut because logic is not my strong point. However it is something that interests me. My favorite fields are the frame and especially the editing. With this thesis, I wanted to know where these equipments I use come from and especially to understand how they work. I understood their functioning "on the surface", but not in depth and that's what I wanted to work on in this thesis: Understand how audiovisual equipment is now democratized, know the evolution of the equipment I use, the links between these equipments that have resulted from audiovisual evolutions.
Autorenporträt
Chloë Coussi descubrió muy pronto su pasión por el vídeo. Se graduó en la ESRA de París (Escuela Superior de Realización Audiovisual) y ahora es directora, camarógrafa y editora de vídeo. Trabaja por su cuenta en la filmación de empresas y eventos y está radicada en el oeste de Francia. Dice que tiene suerte de trabajar en lo que le apasiona.