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Discusses artists whose creativity is sparked by their defiant circumvention of licensing and copyright issues. The author is concerned about the fate of transformative appropriation. It gives us ways to look at the tension between IP law, musical meaning and appropriation, and artistic freedom.

Produktbeschreibung
Discusses artists whose creativity is sparked by their defiant circumvention of licensing and copyright issues. The author is concerned about the fate of transformative appropriation. It gives us ways to look at the tension between IP law, musical meaning and appropriation, and artistic freedom.
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Autorenporträt
JOANNA DEMERS is an assistant professor of music history and literature at the University of Southern California, where she teaches on twentieth-century concert and popular music. Her work has appeared in Popular Music and the Journal of Popular Music Studies. She is also freelance forensic musicologist and consultant on music copyright.