Roger Pearson

Stendhal

The Red and the Black and The Charterhouse of Parma

• Broschiertes Buch

Produktbeschreibung

The "Modern Literatures in Perspective" series aims to help the reader study texts in isolation and in context by selecting the most representative reactions to the texts, from their first appearance, to date. The historical and cultural context in which each text was produced is also outlined.

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An exciting new series on modern international authors, works and concepts, Modern Literatures In Perspective presents the best reactions to each subject, from contemporary comment to seminal modern readings, together with substantial guidance for the student.

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 280
• Erscheinungstermin: 13. Juni 1994
• Englisch
• Abmessung: 216mm x 139mm x 15mm
• Gewicht: 340g
• ISBN-13: 9780582096165
• ISBN-10: 0582096162
• Artikelnr.: 39292842

Autorenporträt

Roger Pearson is Professor of Frenchat the University of Oxford and a Fellow of The Queen's College, Oxford He is a Fellow of the British Academy and Officier dans l'Ordre des Palmes Académiques

Inhaltsangabe

Introduction 1. Letters to a friend 2. The Red and the Black
topicality and realism, plausibility and representation 3.The Charterhouse of Parma
mirror or myth?, psychoanalysis and story
telling; perspectives Part 1: Nineteenth
century views 4. 1831
Balzac's response to The Red and the Black 5. 1832
from Stendhal's own draft review of The Red and the Black 6. 1840
from Balzac's review of The Charterhouse of Parma 7. 1854
Sainte
Beuve on The Red and the Black 8. 1864
Hippolyte Taine on characterization and style 9. 1880
Emile Zola on Stendhal the psychologist 10. 1882
Paul Bourget on Standhal and The Red and the Black 11. 1892
Emile Faguet on The Red and the Black and The Charterhouse of Parma Part 2: Modern readings 12. Realism
Erich Auerbach on The Red and the Black, Georges Blin on realism and point of view 13. Thematic criticism
Jean
Pierre Richard on Stendhal's imaginary universe 14. Existentialism and Marxism
Victor Brombert on freedom in The Charterhouse of Parma, Pierre Barberis on politics in The Charterhouse of Parma 15. Structuralism and language
Shoshana Felman on madness and intoxication, Michel Crouzet on language and silence 16. Psychoanalysis and narratology
Roland Barthes on The Charterhouse of Parma, Peter Brooks on The Red and the Black 17. Feminism and gender criticism
Carol Mossman on The Red and the Black 18. Readers and representation
Ann Jefferson on reading The Red and the Black, Christopher Prendergast on the ethics of verisimilitude.