Ken Goldman, William F Powell, Diane Cardaci, Carol Rosinski
Step-By-Step Studio: Drawing Concepts
A Complete Guide to Essential Drawing Techniques and Fundamentals
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Ken Goldman, William F Powell, Diane Cardaci, Carol Rosinski
Step-By-Step Studio: Drawing Concepts
A Complete Guide to Essential Drawing Techniques and Fundamentals
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With easy-to-follow, in-depth instruction from four accomplished artists, Step-by-Step Studio: Drawing Concepts teaches the foundational skills beginning artists need to get started with graphite pencil.
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With easy-to-follow, in-depth instruction from four accomplished artists, Step-by-Step Studio: Drawing Concepts teaches the foundational skills beginning artists need to get started with graphite pencil.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Walter Foster Publishing
- Seitenzahl: 144
- Erscheinungstermin: 16. März 2021
- Englisch
- Abmessung: 289mm x 222mm x 12mm
- Gewicht: 645g
- ISBN-13: 9781600588983
- ISBN-10: 1600588980
- Artikelnr.: 59919391
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Walter Foster Publishing
- Seitenzahl: 144
- Erscheinungstermin: 16. März 2021
- Englisch
- Abmessung: 289mm x 222mm x 12mm
- Gewicht: 645g
- ISBN-13: 9781600588983
- ISBN-10: 1600588980
- Artikelnr.: 59919391
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Award-winning artist Ken Goldman is an internationally known artist, author, teacher, and art juror. His work has been exhibited in group and solo exhibitions in Holland; Paris; Mexico; New York; Boston; Washington, DC; the Oceanside Museum of Art: 100 Artists, 100 Years 1915–2015; the International Fabriano en Acquarello 2015 (Italy); China's Shenzhen International Biennial 2013–2014; and the Shanghai International Biennial 2012–2013. He currently serves as president of the National Watercolor Society. Visit goldmanfineart.com.William F. Powell was an internationally recognized artist and one of America’s foremost colorists. A native of Huntington, West Virginia, Bill studied at the Art Student’s Career School in New York; Harrow Technical College in Harrow, England; and the Louvre Free School of Art in Paris, France. He was professionally involved in fine art, commercial art, and technical illustrations for more than 45 years. His experience as an art instructor included oil, watercolor, acrylic, colored pencil, and pastel—with subjects ranging from landscapes to portraits and wildlife. He also authored a number of art instruction books, including several popular Walter Foster titles. As a renowned master of color, Bill conducted numerous “Color Mixing and Theory” workshops throughout the U.S. His expertise in color theory also led him to author and illustrate several articles and an educational series of 11 articles entitled “Color in Perspective” for a national art magazine. Additionally, he performed as an art consultant for national space programs and for several artist’s paint manufacturers. Bill’s work included the creation of background sets for films, model making, animated cartoons and films for computer mockup programs. He produced instructional painting, color mixing, and drawing art videos. Diane Cardaci was classically trained at the Art Students League of New York City, Parsons School of Design, and the School of Visual Arts. Her passion for both realism and nature led her to start her professional art career working as a Natural Science Illustrator in New York City, where she specialized in medical and natural science illustrations. Her work has been published by the American Museum of Natural History, and by major textbook companies such as Holt, Rinehart, and Winston. After studying portraiture with acclaimed artists such as Nelson Shanks and John Sanden, commissioned portrait work soon became an important part of her artwork. She is a signature member of the American Society of Portrait Artists and has contributed to the organization's publications. Diane is also a member of the Colored Pencil Society of America, the Graphic Artists Guild, and the Illustrator's Partnership of America. From an early age, Carol Rosinski could pick up a pencil and transform paper and pencil into a living scene with depth and texture. Since 1985, Carol has worked exclusively with graphite pencil, and she has more than 20 years of experience as both artist and teacher. Carol has worked as an illustrator and shown her artwork in galleries, and her drawings have appeared in a number of publications.
Tools & Materials
Handling the Pencil
Shading Techniques
Drawing What You See
Chapter 1: Understanding Values
Basic Strokes
Understanding Value & Shape
Seeing Values
Placing Shapes Accurately
Drawing Values as Shapes
Depicting Form
Establishing a Light Source
Reinterpreting Values
Attracting the Eye
Creating Depth
Capturing Light on Black-and-White
Combining the Elements of Design
Putting It All Together
Chapter 2: Dynamic Composition
Choosing a Viewpoint
Choosing a Format
Basic Composition Methods
The Golden Mean
Dividing the Picture Plane
Symmetry & Asymmetry
Using Values
Creating a Focal Point
Forming & Placing Elements
Arranging a Floral Composition
Placing People in a Composition
Composing Landscapes
Using Negative Space
Composing from Photographs
Chapter 3: Realistic Textures
“Painting” with Pencil
Working with Different Techniques
Following Form
Botanical Textures
Bellflower
Traditional Still Life Textures
Wine & Cheese
Floral Still Life Textures
Pitcher of Lilies
Wildlife Textures
Blue Jay
Landscape Textures
Lake Scene
Animal Textures
Yorkshire Terrier
Portrait Textures
A Young Girl
Chapter 4: Step-by-Step Exercises
Teddy Bear
Landscape
Horse
Floral Still Life
Portrait of a Girl
Fruit & Wine
About the Artists
Handling the Pencil
Shading Techniques
Drawing What You See
Chapter 1: Understanding Values
Basic Strokes
Understanding Value & Shape
Seeing Values
Placing Shapes Accurately
Drawing Values as Shapes
Depicting Form
Establishing a Light Source
Reinterpreting Values
Attracting the Eye
Creating Depth
Capturing Light on Black-and-White
Combining the Elements of Design
Putting It All Together
Chapter 2: Dynamic Composition
Choosing a Viewpoint
Choosing a Format
Basic Composition Methods
The Golden Mean
Dividing the Picture Plane
Symmetry & Asymmetry
Using Values
Creating a Focal Point
Forming & Placing Elements
Arranging a Floral Composition
Placing People in a Composition
Composing Landscapes
Using Negative Space
Composing from Photographs
Chapter 3: Realistic Textures
“Painting” with Pencil
Working with Different Techniques
Following Form
Botanical Textures
Bellflower
Traditional Still Life Textures
Wine & Cheese
Floral Still Life Textures
Pitcher of Lilies
Wildlife Textures
Blue Jay
Landscape Textures
Lake Scene
Animal Textures
Yorkshire Terrier
Portrait Textures
A Young Girl
Chapter 4: Step-by-Step Exercises
Teddy Bear
Landscape
Horse
Floral Still Life
Portrait of a Girl
Fruit & Wine
About the Artists
Tools & Materials
Handling the Pencil
Shading Techniques
Drawing What You See
Chapter 1: Understanding Values
Basic Strokes
Understanding Value & Shape
Seeing Values
Placing Shapes Accurately
Drawing Values as Shapes
Depicting Form
Establishing a Light Source
Reinterpreting Values
Attracting the Eye
Creating Depth
Capturing Light on Black-and-White
Combining the Elements of Design
Putting It All Together
Chapter 2: Dynamic Composition
Choosing a Viewpoint
Choosing a Format
Basic Composition Methods
The Golden Mean
Dividing the Picture Plane
Symmetry & Asymmetry
Using Values
Creating a Focal Point
Forming & Placing Elements
Arranging a Floral Composition
Placing People in a Composition
Composing Landscapes
Using Negative Space
Composing from Photographs
Chapter 3: Realistic Textures
“Painting” with Pencil
Working with Different Techniques
Following Form
Botanical Textures
Bellflower
Traditional Still Life Textures
Wine & Cheese
Floral Still Life Textures
Pitcher of Lilies
Wildlife Textures
Blue Jay
Landscape Textures
Lake Scene
Animal Textures
Yorkshire Terrier
Portrait Textures
A Young Girl
Chapter 4: Step-by-Step Exercises
Teddy Bear
Landscape
Horse
Floral Still Life
Portrait of a Girl
Fruit & Wine
About the Artists
Handling the Pencil
Shading Techniques
Drawing What You See
Chapter 1: Understanding Values
Basic Strokes
Understanding Value & Shape
Seeing Values
Placing Shapes Accurately
Drawing Values as Shapes
Depicting Form
Establishing a Light Source
Reinterpreting Values
Attracting the Eye
Creating Depth
Capturing Light on Black-and-White
Combining the Elements of Design
Putting It All Together
Chapter 2: Dynamic Composition
Choosing a Viewpoint
Choosing a Format
Basic Composition Methods
The Golden Mean
Dividing the Picture Plane
Symmetry & Asymmetry
Using Values
Creating a Focal Point
Forming & Placing Elements
Arranging a Floral Composition
Placing People in a Composition
Composing Landscapes
Using Negative Space
Composing from Photographs
Chapter 3: Realistic Textures
“Painting” with Pencil
Working with Different Techniques
Following Form
Botanical Textures
Bellflower
Traditional Still Life Textures
Wine & Cheese
Floral Still Life Textures
Pitcher of Lilies
Wildlife Textures
Blue Jay
Landscape Textures
Lake Scene
Animal Textures
Yorkshire Terrier
Portrait Textures
A Young Girl
Chapter 4: Step-by-Step Exercises
Teddy Bear
Landscape
Horse
Floral Still Life
Portrait of a Girl
Fruit & Wine
About the Artists