Sally Barnden is a Research Associate on the AHRC-funded project 'Shakespeare in the Royal Collections' at King's College London. Her research on Shakespeare performance and still photography inspired the 'Still Shakespeare' animation project, a collaboration with Film London Artists' Moving Image Network. Her work has been published in Shakespeare Bulletin and Theatre Journal.
Inhaltsangabe
Introduction: leave not a rack behind Part I. Photographing Performers: 1. Liveness, documentation, and the RSC's dreams, 1954-77 2. Photographing the past in the theatre of Charles Kean 3. Julia Margaret Cameron, sympathetic Shakespeare and photographic afterlives Part II. Iconography, Photography, and Hamlet: 4. 'Too much of water': Ophelia, photography, dissolution 5. Poor Yorick: the photograph as memento mori Epilogue Select bibliography Index.
Introduction: leave not a rack behind Part I. Photographing Performers: 1. Liveness, documentation, and the RSC's dreams, 1954-77 2. Photographing the past in the theatre of Charles Kean 3. Julia Margaret Cameron, sympathetic Shakespeare and photographic afterlives Part II. Iconography, Photography, and Hamlet: 4. 'Too much of water': Ophelia, photography, dissolution 5. Poor Yorick: the photograph as memento mori Epilogue Select bibliography Index.
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309