P. A. Skantze argues that 17th century writers for performance portray a crucial aesthetic tension between motion and fixity, the study argues that this tension is fundamental to our scholarly understanding of performance and culture.
P. A. Skantze argues that 17th century writers for performance portray a crucial aesthetic tension between motion and fixity, the study argues that this tension is fundamental to our scholarly understanding of performance and culture.
P.A. Skantze is an independent scholar and director working in Rome. Currently a Fellow at the Italian Academy at Columbia University in 2003, she was a Fulbright senior research fellow in 2002 working on a project on the European Union, transnational identity and theatre festivals.
Inhaltsangabe
Introduction Prologue: Making Sense 1. Permanently Moving: Ben Jonson and the Design of a Lasting Performance 2. Predominantly Still: John Milton and the Sacred Persuasion in Performance 3. Theatrically Pressed: Pamphletheatre and the Performance of a Nation 4. Decidedly Moving: Aphra Behn and the Staging of Paradoxical Pleasures 5. Perpetually Stilled: Jeremy Collier and John Vanbrugh on Bonds, Women and Soliloquies Epilogue: Making Space
Introduction Prologue: Making Sense 1. Permanently Moving: Ben Jonson and the Design of a Lasting Performance 2. Predominantly Still: John Milton and the Sacred Persuasion in Performance 3. Theatrically Pressed: Pamphletheatre and the Performance of a Nation 4. Decidedly Moving: Aphra Behn and the Staging of Paradoxical Pleasures 5. Perpetually Stilled: Jeremy Collier and John Vanbrugh on Bonds, Women and Soliloquies Epilogue: Making Space
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