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For hundreds of thousands of years, Stone Age lithics & the artefacts that the ancestors created with them were their survival, but the same stones also provided a means of artistic expression. Far, far longer than the Age of Metals has been with us, stone was the force to be reckoned with. Hard sarsen sandstone, granite, obsidian glass & flint were but some of the natural rock materials used for hunting, slicing meat, preparing skins & for everyday chores. These visceral stones, microliths & megaliths alike, provided the cold, hard facts of physical, temporal existence for the ancestors, yet…mehr

Produktbeschreibung
For hundreds of thousands of years, Stone Age lithics & the artefacts that the ancestors created with them were their survival, but the same stones also provided a means of artistic expression. Far, far longer than the Age of Metals has been with us, stone was the force to be reckoned with. Hard sarsen sandstone, granite, obsidian glass & flint were but some of the natural rock materials used for hunting, slicing meat, preparing skins & for everyday chores. These visceral stones, microliths & megaliths alike, provided the cold, hard facts of physical, temporal existence for the ancestors, yet the very same rocks, on an even broader scale, were sourced & modified to express their moods, feelings, loves & heart-felt beliefs, for time immemorial. Long ignored for far too long, Stone Age rock art needs to be recognised for its cultural & aesthetic value, to help remove the stigma of the Stone Age as being inhabited by club-wielding brutes without wit or fantasy. Our ancestors were artists who expressed themselves through the medium of stone. They used expressionism, cubism, art nouveau & art deco, long before it was reinvented & they used all these artforms & more to express their beliefs in a universal deity represented by reverence toward the mammoth & the giant forest elephant. While outlining Stone Age Rock art as a whole, this work delves into the lives, loves & fantasies of our forebears, lighting up the night sky in the world of mysteries as they interpreted the heavens.
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Autorenporträt
This, the third and most involved work by the author on the growing research into Stone Age portable rock art, is a must read for all interested parties. Beginning with handaxes crafted by the earliest inhabitants of the British Isles, one million years ago, it details that they carved, pecked and knapped these artefacts as art. Handaxes of all types, shapes and forms were not so much meant for use as weapons, but more as tools and ceremonial objects, having dual ritualistic and practical functions. Passed down as ancestral heirlooms, they became enthused with 'mana' and were often placed as offerings in streams, or at tomb and grave sites, or by sacred groves. Until now, the designs seen of these artefacts have not generally been recognised as art. The main theme of this work therefore is to introduce these artforms in detail to the world of archaeology and the public alike. Intangible, ritualistic meanings they once held, yet tangible stone art they remain, preserved as monuments to the skill and cognitive abilities of our most distant ancestors.