"No scars at all. Which, when you think about it, is maybe not such a good sign" Catherine is fifteen years old, and was discovered in a state of almost total neglect. No one is even sure if she's ever left the room she was found in. She can't walk and can't speak. Her recovery seems impossible. But children can be shockingly resilient, especially with inspired medical care. Sponsored by a fundraising drive led by a tabloid newspaper, her only surviving relative has been able to get Catherine the best private medical care that money can buy. She responds well to the experimental treatment. But…mehr
"No scars at all. Which, when you think about it, is maybe not such a good sign" Catherine is fifteen years old, and was discovered in a state of almost total neglect. No one is even sure if she's ever left the room she was found in. She can't walk and can't speak. Her recovery seems impossible. But children can be shockingly resilient, especially with inspired medical care. Sponsored by a fundraising drive led by a tabloid newspaper, her only surviving relative has been able to get Catherine the best private medical care that money can buy. She responds well to the experimental treatment. But she seems to be getting more violent, and remains stubbornly resistant to language. Or is she? Soon, Catherine's doctors and great-aunt begin to discover what it is, exactly, that they've uncovered... Inspired by true events, Stone Face is Eve Leigh's second full-length play at the Finborough Theatre.
Eve Leigh is an award-winning, internationally recognised writer working between theatre, screen, games, installation, and digital art. Works include Midnight Movie, which premiered at the Royal Court Theatre and was selected for the Berlin Theatertreffen Stückemarkt 2020; Wildfire Road, which premiered at Sheffield Theatres in 2023; Salty Irina shortlisted for the Bruntwood Prize in 2019 from 2,561 anonymous submissions; and The Trick , which debuted at the Bush Theatre, followed by a national tour produced by HighTide Theatre. She leads the first-ever Royal Court/Deafinitely Theatre writers' group for Deaf writers. She was joint Jerwood/Royal Court New Playwright 2019, and the first-ever Artist in Residence for the Experimental Stage of the National Theatre of Greece in 2017.
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