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In this book the author reflects on the processes of grief and more than 50 folk tales are included. The ancient stories vividly convey mankind's struggle with death and loss, the despair and hope, with bitterness and love. The use of stories in therapy is explained, specifically bereavement counselling through storymaking.
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In this book the author reflects on the processes of grief and more than 50 folk tales are included. The ancient stories vividly convey mankind's struggle with death and loss, the despair and hope, with bitterness and love. The use of stories in therapy is explained, specifically bereavement counselling through storymaking.
Produktdetails
- Produktdetails
- Verlag: Jessica Kingsley Publishers, Ltd
- Seitenzahl: 344
- Erscheinungstermin: 5. September 2000
- Englisch
- Abmessung: 234mm x 156mm x 19mm
- Gewicht: 524g
- ISBN-13: 9781853021763
- ISBN-10: 1853021768
- Artikelnr.: 21818459
- Verlag: Jessica Kingsley Publishers, Ltd
- Seitenzahl: 344
- Erscheinungstermin: 5. September 2000
- Englisch
- Abmessung: 234mm x 156mm x 19mm
- Gewicht: 524g
- ISBN-13: 9781853021763
- ISBN-10: 1853021768
- Artikelnr.: 21818459
Alida Gersie
Introduction. PART I: Themes of love and death. 1. `And all my sour-sweet
days, I will lament and love.' Acknowledging the work of separation and
mourning. 2. `But seldom I do think indeed that I must die.' Coming to
grips with mortality. 3. `A stifled, drowsy, unimpassioned grief.' Some
characteristics of the days between the actual death and the burial or
cremation. PART II: A tracery of connections through mourning and myth. 4.
`Lord, have mercy on us.' How come that we all must die? 5. `The day of
death they do not reveal.' Why did it have to happen now? 6. `Wail, for the
world's wrong.' What did I do that it happened to me? 7. `Ah God, that it
were possible...' In search of reparation. 8. `And New Year blowing and
roaring.' How lazily time creeps about to one that mourns. 9. `Tomorrow to
fresh woods and pastures new.' Acceptance, more often than not. PART III:
Focussed attention on intimate loss. 10. `This silence frightens me.' The
death of our parent. 11. `O little did my mother ken.' The death of our
child. 12. `And all that Hope adored and lost.' The death of our
life-partner. PART IV: When a tyrant spell has bound us. 13. `We shall have
a deadly storm.' The descent into darkness. 14. `Oh my God, hear my cry.'
The dangerous pull towards ending our own life. PART V: On stories and
storymaking. 15. `If there were dreams to sell.' On ancient stories and
storytelling. 16. `They are not long the days of wine and roses.'
Bereavement counselling through storymaking. PART VI: The stories and
storymaking structures. Notes and elaborations. Bibliography.
days, I will lament and love.' Acknowledging the work of separation and
mourning. 2. `But seldom I do think indeed that I must die.' Coming to
grips with mortality. 3. `A stifled, drowsy, unimpassioned grief.' Some
characteristics of the days between the actual death and the burial or
cremation. PART II: A tracery of connections through mourning and myth. 4.
`Lord, have mercy on us.' How come that we all must die? 5. `The day of
death they do not reveal.' Why did it have to happen now? 6. `Wail, for the
world's wrong.' What did I do that it happened to me? 7. `Ah God, that it
were possible...' In search of reparation. 8. `And New Year blowing and
roaring.' How lazily time creeps about to one that mourns. 9. `Tomorrow to
fresh woods and pastures new.' Acceptance, more often than not. PART III:
Focussed attention on intimate loss. 10. `This silence frightens me.' The
death of our parent. 11. `O little did my mother ken.' The death of our
child. 12. `And all that Hope adored and lost.' The death of our
life-partner. PART IV: When a tyrant spell has bound us. 13. `We shall have
a deadly storm.' The descent into darkness. 14. `Oh my God, hear my cry.'
The dangerous pull towards ending our own life. PART V: On stories and
storymaking. 15. `If there were dreams to sell.' On ancient stories and
storytelling. 16. `They are not long the days of wine and roses.'
Bereavement counselling through storymaking. PART VI: The stories and
storymaking structures. Notes and elaborations. Bibliography.
Introduction. PART I: Themes of love and death. 1. `And all my sour-sweet
days, I will lament and love.' Acknowledging the work of separation and
mourning. 2. `But seldom I do think indeed that I must die.' Coming to
grips with mortality. 3. `A stifled, drowsy, unimpassioned grief.' Some
characteristics of the days between the actual death and the burial or
cremation. PART II: A tracery of connections through mourning and myth. 4.
`Lord, have mercy on us.' How come that we all must die? 5. `The day of
death they do not reveal.' Why did it have to happen now? 6. `Wail, for the
world's wrong.' What did I do that it happened to me? 7. `Ah God, that it
were possible...' In search of reparation. 8. `And New Year blowing and
roaring.' How lazily time creeps about to one that mourns. 9. `Tomorrow to
fresh woods and pastures new.' Acceptance, more often than not. PART III:
Focussed attention on intimate loss. 10. `This silence frightens me.' The
death of our parent. 11. `O little did my mother ken.' The death of our
child. 12. `And all that Hope adored and lost.' The death of our
life-partner. PART IV: When a tyrant spell has bound us. 13. `We shall have
a deadly storm.' The descent into darkness. 14. `Oh my God, hear my cry.'
The dangerous pull towards ending our own life. PART V: On stories and
storymaking. 15. `If there were dreams to sell.' On ancient stories and
storytelling. 16. `They are not long the days of wine and roses.'
Bereavement counselling through storymaking. PART VI: The stories and
storymaking structures. Notes and elaborations. Bibliography.
days, I will lament and love.' Acknowledging the work of separation and
mourning. 2. `But seldom I do think indeed that I must die.' Coming to
grips with mortality. 3. `A stifled, drowsy, unimpassioned grief.' Some
characteristics of the days between the actual death and the burial or
cremation. PART II: A tracery of connections through mourning and myth. 4.
`Lord, have mercy on us.' How come that we all must die? 5. `The day of
death they do not reveal.' Why did it have to happen now? 6. `Wail, for the
world's wrong.' What did I do that it happened to me? 7. `Ah God, that it
were possible...' In search of reparation. 8. `And New Year blowing and
roaring.' How lazily time creeps about to one that mourns. 9. `Tomorrow to
fresh woods and pastures new.' Acceptance, more often than not. PART III:
Focussed attention on intimate loss. 10. `This silence frightens me.' The
death of our parent. 11. `O little did my mother ken.' The death of our
child. 12. `And all that Hope adored and lost.' The death of our
life-partner. PART IV: When a tyrant spell has bound us. 13. `We shall have
a deadly storm.' The descent into darkness. 14. `Oh my God, hear my cry.'
The dangerous pull towards ending our own life. PART V: On stories and
storymaking. 15. `If there were dreams to sell.' On ancient stories and
storytelling. 16. `They are not long the days of wine and roses.'
Bereavement counselling through storymaking. PART VI: The stories and
storymaking structures. Notes and elaborations. Bibliography.