Storytelling and Ethics
Literature, Visual Arts and the Power of Narrative
Herausgeber: Meretoja, Hanna; Davis, Colin
Storytelling and Ethics
Literature, Visual Arts and the Power of Narrative
Herausgeber: Meretoja, Hanna; Davis, Colin
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Making an original contribution to interdisciplinary narrative studies and narrative ethics, this volume explores the ethical potential and risks of storytelling. It stages a dialogue between contemporary literature and visual arts across media, interdisciplinary theoretical perspectives (debates in narrative studies, trauma studies, cultural me
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Making an original contribution to interdisciplinary narrative studies and narrative ethics, this volume explores the ethical potential and risks of storytelling. It stages a dialogue between contemporary literature and visual arts across media, interdisciplinary theoretical perspectives (debates in narrative studies, trauma studies, cultural me
Produktdetails
- Produktdetails
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 314
- Erscheinungstermin: 30. September 2020
- Englisch
- Abmessung: 229mm x 152mm x 17mm
- Gewicht: 435g
- ISBN-13: 9780367667481
- ISBN-10: 0367667487
- Artikelnr.: 60008374
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 314
- Erscheinungstermin: 30. September 2020
- Englisch
- Abmessung: 229mm x 152mm x 17mm
- Gewicht: 435g
- ISBN-13: 9780367667481
- ISBN-10: 0367667487
- Artikelnr.: 60008374
Colin Davis is Professor of French at Royal Holloway, University of London, UK. Hanna Meretoja is Professor of Comparative Literature and Director of SELMA: Centre for the Study of Storytelling, Experientiality and Memory at the University of Turku, Finland.
Chapter 1: Introduction: Intersections of Storytelling and Ethics
Hanna Meretoja and Colin Davis
Part I: The ethical potential and limits of narrative
Chapter 2: Truth, Ethics, Fiction: Responding to Plato's Challenge
Colin Davis
Chapter 3: Is there an Ethics to Story-Telling?
Mieke Bal
Chapter 4: Forms of Ordering: Trauma, Narrative and Ethics
Robert Eaglestone
Chapter 5: The Decline of Narrative and the Rise of the Archive
Ernst van Alphen
Chapter 6: The Story of the "Anthropos": Writing Humans and Other Primates
in Contemporary Fiction
Danielle Sands
Chapter 7: From Appropriation to Dialogic Exploration: A Non-Subsumptive
Model of Storytelling
Hanna Meretoja
Part II: Narrative temporalities: imagining an other life
Chapter 8: Alexander Kluge's "Saturday in Utopia": Making Time for Other
Lives with German Critical Theory and Heliotropic Narration
Leslie A. Adelson
Chapter 9: Melancholy and the Narration of Transnational Trauma in W.G.
Sebald and Teju Cole
Kaisa Kaakinen
Chapter 10: Memory as Imagination in Elina Hirvonen's When I Forgot
Riitta Jytilä
Chapter 11: Popular Representation of East Germany: Whose History is it?
Molly Andrews
Chapter 12: Realities in the Making: The Ethics of Fabulation in
Observational Documentary Cinema
Ilona Hongisto
Part III: Narrative engagements with violence and trauma
Chapter 13: The Empathetic Listener and the Ethics of Storytelling
Aleida Assmann
Chapter 14: Theatre, Ethics and Restitution: What is Theatre Good For?
Anna Reading
Chapter 15: Towards an Intercultural Aesthetics: Shaping the Memory of
Political Violence and Historical Trauma in Eija-Liisa Ahtila's Artwork
Where is Where?
Mia Hannula
Chapter 16: Reading Terror: Imagining Violent Acts through the Rational or
Narrative Sublime
Cassandra Falke
Chapter 17: War & Storytelling After 9/11: A Photojournalist's Perspective
Louie Palu
Part IV: Concluding reflections
Chapter 18: Narrative in Dark Times
Andreea Deciu Ritivoi
Hanna Meretoja and Colin Davis
Part I: The ethical potential and limits of narrative
Chapter 2: Truth, Ethics, Fiction: Responding to Plato's Challenge
Colin Davis
Chapter 3: Is there an Ethics to Story-Telling?
Mieke Bal
Chapter 4: Forms of Ordering: Trauma, Narrative and Ethics
Robert Eaglestone
Chapter 5: The Decline of Narrative and the Rise of the Archive
Ernst van Alphen
Chapter 6: The Story of the "Anthropos": Writing Humans and Other Primates
in Contemporary Fiction
Danielle Sands
Chapter 7: From Appropriation to Dialogic Exploration: A Non-Subsumptive
Model of Storytelling
Hanna Meretoja
Part II: Narrative temporalities: imagining an other life
Chapter 8: Alexander Kluge's "Saturday in Utopia": Making Time for Other
Lives with German Critical Theory and Heliotropic Narration
Leslie A. Adelson
Chapter 9: Melancholy and the Narration of Transnational Trauma in W.G.
Sebald and Teju Cole
Kaisa Kaakinen
Chapter 10: Memory as Imagination in Elina Hirvonen's When I Forgot
Riitta Jytilä
Chapter 11: Popular Representation of East Germany: Whose History is it?
Molly Andrews
Chapter 12: Realities in the Making: The Ethics of Fabulation in
Observational Documentary Cinema
Ilona Hongisto
Part III: Narrative engagements with violence and trauma
Chapter 13: The Empathetic Listener and the Ethics of Storytelling
Aleida Assmann
Chapter 14: Theatre, Ethics and Restitution: What is Theatre Good For?
Anna Reading
Chapter 15: Towards an Intercultural Aesthetics: Shaping the Memory of
Political Violence and Historical Trauma in Eija-Liisa Ahtila's Artwork
Where is Where?
Mia Hannula
Chapter 16: Reading Terror: Imagining Violent Acts through the Rational or
Narrative Sublime
Cassandra Falke
Chapter 17: War & Storytelling After 9/11: A Photojournalist's Perspective
Louie Palu
Part IV: Concluding reflections
Chapter 18: Narrative in Dark Times
Andreea Deciu Ritivoi
Chapter 1: Introduction: Intersections of Storytelling and Ethics
Hanna Meretoja and Colin Davis
Part I: The ethical potential and limits of narrative
Chapter 2: Truth, Ethics, Fiction: Responding to Plato's Challenge
Colin Davis
Chapter 3: Is there an Ethics to Story-Telling?
Mieke Bal
Chapter 4: Forms of Ordering: Trauma, Narrative and Ethics
Robert Eaglestone
Chapter 5: The Decline of Narrative and the Rise of the Archive
Ernst van Alphen
Chapter 6: The Story of the "Anthropos": Writing Humans and Other Primates
in Contemporary Fiction
Danielle Sands
Chapter 7: From Appropriation to Dialogic Exploration: A Non-Subsumptive
Model of Storytelling
Hanna Meretoja
Part II: Narrative temporalities: imagining an other life
Chapter 8: Alexander Kluge's "Saturday in Utopia": Making Time for Other
Lives with German Critical Theory and Heliotropic Narration
Leslie A. Adelson
Chapter 9: Melancholy and the Narration of Transnational Trauma in W.G.
Sebald and Teju Cole
Kaisa Kaakinen
Chapter 10: Memory as Imagination in Elina Hirvonen's When I Forgot
Riitta Jytilä
Chapter 11: Popular Representation of East Germany: Whose History is it?
Molly Andrews
Chapter 12: Realities in the Making: The Ethics of Fabulation in
Observational Documentary Cinema
Ilona Hongisto
Part III: Narrative engagements with violence and trauma
Chapter 13: The Empathetic Listener and the Ethics of Storytelling
Aleida Assmann
Chapter 14: Theatre, Ethics and Restitution: What is Theatre Good For?
Anna Reading
Chapter 15: Towards an Intercultural Aesthetics: Shaping the Memory of
Political Violence and Historical Trauma in Eija-Liisa Ahtila's Artwork
Where is Where?
Mia Hannula
Chapter 16: Reading Terror: Imagining Violent Acts through the Rational or
Narrative Sublime
Cassandra Falke
Chapter 17: War & Storytelling After 9/11: A Photojournalist's Perspective
Louie Palu
Part IV: Concluding reflections
Chapter 18: Narrative in Dark Times
Andreea Deciu Ritivoi
Hanna Meretoja and Colin Davis
Part I: The ethical potential and limits of narrative
Chapter 2: Truth, Ethics, Fiction: Responding to Plato's Challenge
Colin Davis
Chapter 3: Is there an Ethics to Story-Telling?
Mieke Bal
Chapter 4: Forms of Ordering: Trauma, Narrative and Ethics
Robert Eaglestone
Chapter 5: The Decline of Narrative and the Rise of the Archive
Ernst van Alphen
Chapter 6: The Story of the "Anthropos": Writing Humans and Other Primates
in Contemporary Fiction
Danielle Sands
Chapter 7: From Appropriation to Dialogic Exploration: A Non-Subsumptive
Model of Storytelling
Hanna Meretoja
Part II: Narrative temporalities: imagining an other life
Chapter 8: Alexander Kluge's "Saturday in Utopia": Making Time for Other
Lives with German Critical Theory and Heliotropic Narration
Leslie A. Adelson
Chapter 9: Melancholy and the Narration of Transnational Trauma in W.G.
Sebald and Teju Cole
Kaisa Kaakinen
Chapter 10: Memory as Imagination in Elina Hirvonen's When I Forgot
Riitta Jytilä
Chapter 11: Popular Representation of East Germany: Whose History is it?
Molly Andrews
Chapter 12: Realities in the Making: The Ethics of Fabulation in
Observational Documentary Cinema
Ilona Hongisto
Part III: Narrative engagements with violence and trauma
Chapter 13: The Empathetic Listener and the Ethics of Storytelling
Aleida Assmann
Chapter 14: Theatre, Ethics and Restitution: What is Theatre Good For?
Anna Reading
Chapter 15: Towards an Intercultural Aesthetics: Shaping the Memory of
Political Violence and Historical Trauma in Eija-Liisa Ahtila's Artwork
Where is Where?
Mia Hannula
Chapter 16: Reading Terror: Imagining Violent Acts through the Rational or
Narrative Sublime
Cassandra Falke
Chapter 17: War & Storytelling After 9/11: A Photojournalist's Perspective
Louie Palu
Part IV: Concluding reflections
Chapter 18: Narrative in Dark Times
Andreea Deciu Ritivoi