Storytelling for Film and Television is a theory and practice book which offers a definitive introduction to the art of storytelling through writing, directing and editing. Author Ken Dancyger provides a comprehensive explanation of the tools that underpin successful narrative filmmaking and television production.
Storytelling for Film and Television is a theory and practice book which offers a definitive introduction to the art of storytelling through writing, directing and editing. Author Ken Dancyger provides a comprehensive explanation of the tools that underpin successful narrative filmmaking and television production.
Ken Dancyger is Professor of Film and Television at Tisch School of the Arts, New York University. He teaches script and post-production workshops worldwide and is the author of seven books on screenwriting, editing, and production including Alternative Scriptwriting, 5th edition with Jeff Rush; The Technique of Film and Video Editing, 6th edition; Global Scriptwriting; and The Director's Idea.
Inhaltsangabe
TABLE OF CONTENTS SECTION I Narrative 1. Introduction 2. The Narrative Tools 3. The Technical Dimension 4. The Creative Possibilities 5. Three Case Studies of Excellence SECTION II Directing 6. The Directing Tools 7. The Technical Dimension 8. The Creative Possibilities 9. Three Case Studies of Excellence SECTION III Editing 10. The Editing Tools 11. The Technical Dimension 12. The Creative Possibilities 13. Three Case Studies of Excellence SECTION IV The Storytelling Experience from Beginning to End 14. Elia Kazan's Splendor in the Grass 15. Sidney Lumet's Daniel 16. Laszlo Nemes' Son of Saul 17. Conclusion GLOSSARY
TABLE OF CONTENTS SECTION I Narrative 1. Introduction 2. The Narrative Tools 3. The Technical Dimension 4. The Creative Possibilities 5. Three Case Studies of Excellence SECTION II Directing 6. The Directing Tools 7. The Technical Dimension 8. The Creative Possibilities 9. Three Case Studies of Excellence SECTION III Editing 10. The Editing Tools 11. The Technical Dimension 12. The Creative Possibilities 13. Three Case Studies of Excellence SECTION IV The Storytelling Experience from Beginning to End 14. Elia Kazan's Splendor in the Grass 15. Sidney Lumet's Daniel 16. Laszlo Nemes' Son of Saul 17. Conclusion GLOSSARY
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