The first full-length analytic study devoted to the Concerto for Piano and Wind Instruments, combining sketch studies, musicological context, and straightforward analyses of all three movements.
The first full-length analytic study devoted to the Concerto for Piano and Wind Instruments, combining sketch studies, musicological context, and straightforward analyses of all three movements.
Introduction Context and Composition Concerto as Catalyst Analytical Tools and Recurring Elements Counterpoint and Tonality in the First Movement Tetrachords and Tritones in the Largo Points of Imitation in the Finale Conclusion Appendix Notes Bibliography Index
Introduction Context and Composition Concerto as Catalyst Analytical Tools and Recurring Elements Counterpoint and Tonality in the First Movement Tetrachords and Tritones in the Largo Points of Imitation in the Finale Conclusion Appendix Notes Bibliography Index
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