A tour across the globe that tracks eighteenth-century English theatrical and social performance as vital to the establishment of the British Empire and its networks. Kathleen Wilson shows how performances put into circulation embodied social and political values and practices that had world-making intentions and effects.
A tour across the globe that tracks eighteenth-century English theatrical and social performance as vital to the establishment of the British Empire and its networks. Kathleen Wilson shows how performances put into circulation embodied social and political values and practices that had world-making intentions and effects.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Kathleen Wilson is Distinguished Professor of History at Stony Brook University. Her prizewinning scholarship focuses on questions of identity, empire and culture in the long eighteenth century. Previous books include The Sense of the People: Politics, Culture and Imperialism in England, 1715-1785 (1995), The Island Race: Englishness, Empire and Gender in the Eighteenth Century (2003) and A New Imperial History: Culture, Identity and Modernity in Britain and the Empire, 1660-1840 (2004). A former Guggenheim and NEH Fellow and past president of the American Society of Eighteenth-Century Studies, Wilson lives with her human and nonhuman relations in Manhattan and Long Island.
Inhaltsangabe
Prologue: Strollers without Borders; Introduction: Britain's Theatrical Empire; Part I. Playing: 1. Peripheralizing the Spheres: Theatrical Assemblages of the Imperial Provinces; 2. Rowe's Fair Penitent as Global History: Colonial Family Strategies and the Imperatives of Nation; 3. The Lure of the Other: Jews, Nabobs and Enslaved Africans in a Transcolonial Imaginary; Part II. Theatres of Empire: 4. Performances of Freedom: Jamaican Maroons in Imperial Transit; 5. Blackface Empire: or, the Slavery Meridian; 6. Zanga's Colony: Revenge in Sydney; Part III. East India Company Peripheries and the History of Modernity; 7. Performing The Wonder in Sumatra: Theatrical Ethnography in a New World History; 8. In Conclusion: Napoleonic Gothic, or St. Helena as Center of the British World.
Prologue: Strollers without Borders; Introduction: Britain's Theatrical Empire; Part I. Playing: 1. Peripheralizing the Spheres: Theatrical Assemblages of the Imperial Provinces; 2. Rowe's Fair Penitent as Global History: Colonial Family Strategies and the Imperatives of Nation; 3. The Lure of the Other: Jews, Nabobs and Enslaved Africans in a Transcolonial Imaginary; Part II. Theatres of Empire: 4. Performances of Freedom: Jamaican Maroons in Imperial Transit; 5. Blackface Empire: or, the Slavery Meridian; 6. Zanga's Colony: Revenge in Sydney; Part III. East India Company Peripheries and the History of Modernity; 7. Performing The Wonder in Sumatra: Theatrical Ethnography in a New World History; 8. In Conclusion: Napoleonic Gothic, or St. Helena as Center of the British World.
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