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"The dream of Pharaoh is one. The seven kine are seven years; and the seven good ears are seven years: the dream is one.... And for that the dream was doubled unto Pharaoh twice, it is because the thing is established."... In other words: Behind three or four subtitles and changes of time, scene, characters, this tale of strong hearts is one. And for that the tale is tripled or quadrupled unto you three or four times (the number will depend); it is because in each of its three or four aspects - or separate stories, if you insist - it sets forth, in heroic natures and poetic fates, a principle…mehr

Produktbeschreibung
"The dream of Pharaoh is one. The seven kine are seven years; and the seven good ears are seven years: the dream is one.... And for that the dream was doubled unto Pharaoh twice, it is because the thing is established."... In other words: Behind three or four subtitles and changes of time, scene, characters, this tale of strong hearts is one. And for that the tale is tripled or quadrupled unto you three or four times (the number will depend); it is because in each of its three or four aspects - or separate stories, if you insist - it sets forth, in heroic natures and poetic fates, a principle which seems to me so universal that I think Joseph would say of it also, as he said to the sovereign of Egypt, "The thing is established of God."
Autorenporträt
"I live in a small southern town in Russia. I found my connection with the American South, and especially with New Orleans, through music, as this city is undoubtedly one of the most musical cities on the planet. Creole architecture and Spanish colonial architecture soon found me exploring the French Quarter, the heart of New Orleans. The simplicity and conciseness of the forms of the Creole cottages, as well as the pretentiousness of the cast-iron balconies of the Quarter and the carved beauty of the small shotguns, made it clear to me that this is the art I want to work on. I love to draw these buildings on paper, using various techniques, I enjoy making models of the mansions of the city; I like their shapes and elegance, as well as the taste and love with which their residents treat their homes. New Orleans is like a separate small world that is remote from the rest of the country and lives according to its own traditions. Even now, after so many years, local people deeply respect their history and culture, trying to preserve it in its original form. This is how it looks to me. And I love it." -- Valerie Khodakovskaya