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Contributors and ContentsRichard Barney, The Splenetic Sublime: Anne Finch, Melancholic Physiology, and Post/ModernitySarah Cohen, Animal Performance in Oudry's Illustrations to the Fables of La FontaineJoLynn Edwards, The Conti Sales of 1777 and 1779 and their Impact on the Parisian Art MarketIngrid Tague, Companions, Servants, or Slaves?: Considering Animals in Eighteenth Century BritainMatthieu P. Raillard, Deism, the Sublime and the Formulation of Early Romanticism in Juan Meléndez Valdés and José CadalsoRomira Worvill, From Prose peinture to Dramatic tableau: Diderot, Fénelon and the…mehr

Produktbeschreibung
Contributors and ContentsRichard Barney, The Splenetic Sublime: Anne Finch, Melancholic Physiology, and Post/ModernitySarah Cohen, Animal Performance in Oudry's Illustrations to the Fables of La FontaineJoLynn Edwards, The Conti Sales of 1777 and 1779 and their Impact on the Parisian Art MarketIngrid Tague, Companions, Servants, or Slaves?: Considering Animals in Eighteenth Century BritainMatthieu P. Raillard, Deism, the Sublime and the Formulation of Early Romanticism in Juan Meléndez Valdés and José CadalsoRomira Worvill, From Prose peinture to Dramatic tableau: Diderot, Fénelon and the Emergence of the Pictorial Aesthetic in FranceJulie Candler Hayes, Friendship and the Female MoralistTeresa Michals, "Like a Spoiled Actress off the Stage" Anti-Theatricality, Nature, and the NovelAdam Beach, Behn's Oroonoko, the Gold Coast, and Slavery in the Early-Modern Atlantic WorldEric Gidal, "A gross and barbarous composition" Melancholy, National Character, and the Critical Reception of Hamlet in the Eighteenth Century CharacterNicole von Germeten, Prostitution and the Captain's Wife: A Public and Notorious Scandal in Eighteenth-Century Cartagena de IndiasMargaret Boyle, Chronicling Women's Containment in Bartolomé Arzans de Orsúa y Vela's History of Potsi
Autorenporträt
Downing A. Thomas is a professor of French at the University of Iowa, where he is also associate provost and dean of International Programs. He is the author or coeditor of several books, including Aesthetics of Opera in the Ancien Régime: 1647-1785, Operatic Migrations: Transforming Works and Crossing Boundaries in Musical Drama, and Music and the Origins of Language: Theories from the French Enlightenment. Lisa Cody is an associate dean of the faculty and an associate professor of history at Claremont McKenna College. She is the author of Birthing the Nation: Sex, Science, and the Conception of Eighteenth-Century Britons.