Essays on the continuing power and applicability of medieval images, with particular reference to recent films.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Arthurian Melodrama, Chaucerian Spectacle, and the Waywardness of Cinematic Pastiche in First Knight and A Knight's Tale Nickolas Haydock Modern Mystics, Medieval Saints Gwendolyn Morgan Seeking the Human Image in The Advocate William Woods Harold in Normandy: History and Romance Carl Hammer The Day of a Thousand Years: Winchester's 1901 Commemoration of Alfred the Great Joanne Parker Eric Brighteyes: Rider Haggard rewrites the Sagas Jona Hammer 'Biddeth Peres Ploughman go to his werk': Appropriation of Piers Plowman in the Nineteenth and Twentieth Centuries Paul Hardwick What Tales of a Wayside Inn tells us about Longfellow and about Chaucer William Calin Bad Baronets and the Curse of Medievalism Clare A Simmons 'The Bony Grasping Hand': Nineteenth Century American Protestant Views on Medieval Canon Law Bruce Brasington
Arthurian Melodrama, Chaucerian Spectacle, and the Waywardness of Cinematic Pastiche in First Knight and A Knight's Tale Nickolas Haydock Modern Mystics, Medieval Saints Gwendolyn Morgan Seeking the Human Image in The Advocate William Woods Harold in Normandy: History and Romance Carl Hammer The Day of a Thousand Years: Winchester's 1901 Commemoration of Alfred the Great Joanne Parker Eric Brighteyes: Rider Haggard rewrites the Sagas Jona Hammer 'Biddeth Peres Ploughman go to his werk': Appropriation of Piers Plowman in the Nineteenth and Twentieth Centuries Paul Hardwick What Tales of a Wayside Inn tells us about Longfellow and about Chaucer William Calin Bad Baronets and the Curse of Medievalism Clare A Simmons 'The Bony Grasping Hand': Nineteenth Century American Protestant Views on Medieval Canon Law Bruce Brasington
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